In 1995 Garry Gerossie who lived north of me in New
Hampshire, looked me up to invite me to a clinic he was hosting by his
instructor Sherman Harrill. It was because Sherman had trained on Okinawa
alongside my instructor Tom Lewis.
I had never heard of Sherman but I went to that
clinic and was blown away.
I had been working on potential uses for Isshinryu
technique for about 7 years at that time, and had made progress. But meeting
Sherman was a jump of 40 years he had spent on that process.
For he next 10 years I hosted clinics and attended
others in Rhode Island and in Massachusetts. About 80 hours worth. But when
Sherman passed away in 2005 I went through my notes and private videos Sherman
allowed me to make and wrote up 800 potential kata application uses he had
shared, and a who lot of other stuff. I combined them in my personal Sherm
Pedia.
Five years later I finally met John Kerker and for the next 10 years I was able to
attend 10 annual clinics with him in Chicopee Mass. Out time was always too
short however John expanded on many details Sherman made privately to me. I
gained even deeper understanding of what being Sherman’s student would have
been like.
Now let me make in clear I never was a student of
Sherman Harrill. Unfortunately I could never travel to Carson and train with
him. Working to understand what Sherman shared is nothing like being his direct
student.
Perhaps I can expand on that. Sherman once privately
explained to me that what he shared at those clinics was not how he taught his
students.
He was focusing on kata technique possible
applications, ad nasaum.
It was not how he taught his direct students, For one thing he did not really know those
clinic attendees capabilities. Because of that, while what he shared was real,
there was also a great number of things he was holding back. So he was sharing a bit of what he worked on.
More than any clinic attendee could remember, but nothing approaching the
whole.
An example came from when I met John Kerker, At that
clinic he blasted his partner over and over, hitting him harder than I had ever
seen anyone be struck repeatedly and always his partner was able to get back up
and begin again.
Another time John explained that there was not a
square inch of the dojo floor Sherman had not dropped him on hundreds of times.
And each time after doing so Sherman expected John to get back up and do the
same to him.
That is a level of intensity that was never possible
at those clinics.
And there so much more, John explained that all
Sherman’s students did not train with that intensity. They had to choose for
themselves that they wanted to train that way, for it involved much pain. I
guess it meant there were different levels of Sherman’s training.
That is just my opening explanation.
For I just found a video of Sherman Harrill showing
some uses for the opening of Seisan kata. It is shared on You Tube by Michael Calandra And shows some uses for the opening
movements of Seisan kata.
Sherman Harrill Sensei and Mike Best as Uki
It serves as a great example of how Sherman worked
out kata application potential (uses). Offering 9 different examples for that
one movement section of the kata. And I am sure Sherman had endless other
application potential in his memory.
First seeing a video does not in itself mean much,
it is too easy to move on and what is seen becomes vapor-ware. In a sense the
same as experiencing those same techniques in a clinic and not working on
them.. for many reasons.
Unless you are an instructor you probably have
little say in your training program and without continual reinforcement of what
you saw that does not help you remember how to work the technique. Not saying
there is no value to your being exposed to those possibilities. But that is a
different issue.
And even if you are an instructor it is often not easy
to add great material to your already structured training program. In fact even
when I picked up incredible technique applications it often would be 5 or more
years before I could introduce it into my program, simply because I believe in
the value of what I was teaching.
Then there is the reality that learning a kata application has a
potential application is one thing. Having the work to make that application potential an application
realization that can actually work is a very different project all together.
That is a much more involved sort of training.
The most important part of the process of acquiring
valuable information via clinic or video is that there is more involved to
truly actualize that technique in your life.
What I found is to make notes of the experience. Yes
a video can be view over and over, but frequently it is not watched that
way. The most valuable thing you can do
is to takes notes of what you remember. That performs a time binding function
in your brain. Those notes can highlights details to remember. Something to
refer to as time passes. Another guide in your journey.
So this is how I view what Sherman shared on the
opening of Seisan kata.
The
attacker is stepping forward with his right foot and going to deliver a right
strike.
As Sherman goes to open the Seisan technique he first crosses his
arms before him, the right arm on top. Then he steps out with his left foot and
performs a left side block, while simultaneously his right hand chambers at his
side. Then strikes into the opponents solar plexus with his right fist. Sherman
uses all those motions in his examples.
First Sherman is showing what would be
the standard answer as to what the first technique would be.
1. Sherman
steps out with his left foot while delivering a left side strike/block to the
attackers arm. Then he delivers a right strike into the attacker’s solar
plexus.
But Sherman is showing
how he utilized the crossing of the arms as the initial technique to Seisan.
2. If
the opponents strike comes in higher Sherman uses the initial crossing of the
arms to deliver a rising strike into the opponent arm and at the same time
strikes with his left fist into the opponents lower right abdomen. In effect a
simultaneous double strike. Then his right hand slices down to become a block
in the opponents following right punch, followed by a right strike to the
opponents solar plexus from chamber.
3. Then
Sherman shows how the strikes from the crossing of the arms from the kata is
used when shifting one’s centerline to cross the attackers arm at 45 degrees.
Then the rising right punch strikes into their attacking right arm while the
left strikes into the right side of their chest at the same time.
4. Then
Sherman works another variation on that theme. This time the left open hand is
raised to move alongside their oncoming fist, while the right hand (using the
ridge of knuckles) to strike into their wrist, causing intense pain. To be
followed by a right front kick into their left inner thigh, at the same time a
right fist strike is delivered into their right side ribs.
5. This
time as their strike comes in you step out slightly with your right foot and
shift your center line to cross their strike at 45 degrees. Your right rising
hand strikes into their arm above the elbow while your left hand strikes into
their armpit. Then your right hand while slashing down as you chamber (which
could slice into a striking opponents left punch). At the same time you deliver
a left low slicing strike into the inside of their right leg, to be followed by
a right strike to their solar plexus.
6. As
the opponent strikes forward, step forward your self inside their line of
attack, delivering a simultaneous strike to their jaw with your right as you
also strike into their abdomen with your left fist. Then you strike with your
left arm (side block as another use) into the side of their face. Your right
hand drops to chamber and then strikes into their solar plexus.
7. This
time you first use the X of the crossing hands. As they strike your right hand
strikes atop their biceps and your left hand strikes down. This uses the bottom of the X to trap their arm. Then
instantly you raise your left arm and pull your right arm slightly back drawing
them slightly forward. That motion bends their arm back, and forces them further
downward from that lock. Your right hand can then strike into the side of their
neck.
8. Sherman
then shows the same motion but this time the left strikes across the forearm of
the attackers strike, while the right punch strikes into their triceps from the
bottom. This also forms the X block that can pull them forward and down with a
bent back arm lock to finish the movement with a right strike into the side of
their head.
9. Then
Sherman uses the same motions as in no. 8 to a left strike with the attacker
stepping forward with their left foot.
Again they are bent down to their rear from the side as the arm lock is
formed. To finish them with a right strike to their head.
10.
As the attacker comes in from the right,
your left arm strikes down across their wrist towards your center line. At the
same time your right strikes across their biceps just above their elbow. From
there your left arm rolls their arm back and up to form a lock using the chambers
of your right arm as the fulcrum of that lock. Forming that lock moves them
forward and to bend over from that lock to then allow your right punch into the
back side of their head.
I am sure this is not everything Sherman saw, but it
is a good example of what he explored into every motion of any kata movement.
And only when you have a clear idea of any movement application
potential (and that is a task of its own) can you move into the greater study. That
being how to reach the application realization to actually trust that movement against
a solid attack (which may not be the same attack where the application potential
is shown against).
You must work against stronger then more random attacks
to work towards application realization.
I have seen this from several different instructors programs.
To the uniformed it often seems brutal, but the instructor is sharing what worked
for them. I believe it is a necessity to move forward.
I would not suggest my description of Sherman sharing is the best description
of what he is doing. I suggest you write
your own descriptions, they will make more sense to you.
May
you move forward in comprehension!
What Harrill Sensei really wanted was for people to understand how he came to those techniques. Trying to memorize hundreds of techniques was never the point, but understanding the principles and body mechanics was what he was hoping to share.
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