Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
by Henry Wadsworth Longfellow
Back when I was
a beginner, not that long ago, in the mid 1970s, I only studied Isshinryu
Karate. I knew kobudo was a part of the system, though I only saw the brown
belts studying bo kata, I was not privy to dan training.
Then when a
brown belt myself, I was force fed the
Isshinryu Kobudo by Charles Murray, that he had studied with Lewis Sensei, and
in Agena. Those studies consisted of Bo, Sai and Tonfa. In fact the first kata I
studied with him was Chantan Yara No Sai. I really did not know what other
systems did, and as a black belt slowly came aware of what others were doing
through tournaments.
Kobudo as I
understood it was interesting. There was not much focus on what the use of
those weapons were used for. And I realized that time, decades, with the weapon
made a real difference in the performance. I worked hard over those years on my
own studies, but when I saw Lewis Sensei perform his bo, his effort showed
incredible mastery of the bo as he did it. The study of kobudo, the correct study
of kobudo, was one place that the work over the years made a difference.
I came to
realize most systems did not do weapons as part of their karate, at that time.
And a great many of the competition forms were kobudo versions of traditional
karate kata, or completely new forms created in the USA, that was in the
Penna., Maryland, New Jersey and New York area. The judges often were judging
forms they did not know, and I assume their judging was based on performance
execution and not knowledge of the forms.
Most of what I
saw was bo and sai in those days. Then there were an eclectic group of other
weapons. Perhaps the rarest was kama kata.
Back
in 1980 I had started visiting and training with Tristan Sutrisno. One evening
he started training his then senior students in a new form for them. Chosen No
Kama Sho. As I was there
he invited me to join on in, lending me a pair of kama. The form was very new
to me and I had no idea what I was getting into. It used a unique handling
method for me of continually shifting the kama from an open to closed position
during the forms execution. Having no kama, I practiced with tonfa back home.
The next week I
visited and was shown a different version of the form
Chosen No Kama Dai, much the same template with more advanced execution
of some of the movements. So yet another thing to work on.
At the next
tournament I attended I was able to purchase some kama, so my practice of those
forms could be more realistic.
The constant
shifts of the kama during the form was difficult for me. I was not working them
for the idea of competition. Just focused on execution.
Then one day a
friend invited me to attend a clinic with George Chung, and among what he was
showing, was a West Coast Demo Team Kama form. Sort of TKD kicking with kama.
Held in a different position from what I was show, just held behind the blade,
I recognized this made all those kicks safer with the kama held that way.
Several years
later I saw Tristan compete with a different version ‘
Chosen No Kama San’. I understood then how some of his kobudo studies
were built on a template that the forms used, allowing focus on more advancing
movements as studies progressed. I was interested in his execution but the
‘additions’ were way above my abilities and I did not attempt to retain what I
observed.
Back around 1984
I saw Kise Fusie Sensei perform a kama kata with
leaders. I knew this was taught on Okinawa, but had never seen it. His
execution also held the kama behind the kama blade. That was the first I
realized there were different kama executions. There was no internet in those days, VHS was just coming out and were expensive too.
I did not seek
other kama instruction out. I just focused on what was shared with me.
A decade later I
was given further training on the Dai version. He was impressed that I
remembered it after seeing it that one time. And then he showed more advanced
kama execution.
So I did receive
instruction, and at the same time I was not instructed in a traditional way.
What I got is what I got.
So Kama was a
study but never a primary focus for me.
For one thing, I
recognized what kama use was for, killing someone attacking you, most likely
with a weapon attack. I was not interested in weapons for killing, recognizing
there was value in skill acquisition however. It was not something I was
sharing with my students, they had far more useful things to learn then.
Across New
England, on those rare occasions I attended open tournaments, I observed a new
trend, children doing kama kata (as with that West Coast Demo Team style of
execution). Kobudo is one thing that was truly an adult study. Cut down weapons
became the style for children to compensate for their strength, but still they
did not approach the power of adult execution.
I believe the
kama was chosen because with that style of handling it was safer for them to do
with their fake blades. Less chance of injury, and it gave schools teaching
that something else to teach, and have children compete with. It probably
looked cute for the parents. And at to time did anyone mention the reality of
what those kata swings were doing.
One
wonders in today’s environment against firearms, what people would thing about
kids being trained with kama. The mind boggles at what people do not see.
My son was born
in 1989. In 1990 Mike Cassidy and I had a chance to attend a seminar with Kise Fusie Sensei where instruction was being given in
bo, sai and kama. Basic instruction for sure. Having seen him I was interested
I what he taught (for information not for continued study) ( I have attached my
notes from that day.) What was most interesting was what he said about the
kama.
For one thing on
Okinawa every home had kama. It was the equivalent of our lawnmower. Used for
household gardening, sold an the local hardware store. Kids used to carry them
to school, to work in the field cutting cane, after class.
If you read my
notes following you will find the Okinawan police had some requests for Karate
schools about teaching kama, as a result of that.
From my notes of
that clinic:
Back in the 1990s I attended a seminar with Kise Sensei, we
were told then the police to stop teaching kama. The kama was a common
household gardening implement on Okinawa used everywhere. Many of the kids
would carry them to school to use in the fields cutting crops after classes were
done for the day. Apparently they were having problems with youth using them on
each other, and thought this might help the situation.
As the years
passed I decided to pass my kama on to my senior students, they were over 20
years into their own study and had become instructors too. I shared both the
Sho and Dai versions of Chosen No Kama with them. The purpose was to use them
as instructors studies for advancing skill acquisition. Not as studies for
students. I was very much against that because the purpose of the kama was to
end life, but I trusted them and saw the value for advancing continuing study.
They elected to chose the Chosen No Kama Dai version for their studies. The
different technique execution for the Sho version they would retain as variant
technique studies.
This is
consistent with other instructor studies I shared.
Today is a very
different world from when I began.
the Sutrisno Chosen No Kama Dao
Kama Shi
pass
Kama
Dai pass
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