Tuesday, February 3, 2026

SunNuSu (Sunsu) Kata – a derivative analysis

 This analysis is only what I see, not necessarily as other would see it.


I don’t see these videos as end points, rather glimpses of stages where they were at that time.

 

As kata SunNuSu (Sunsu) as the creation of Shimabuku Tatsuo
I am going to show kata which inspired sections of his creation.

Some are from his Isshinryu, meaning studies with Kyan and Motobu. As he was a senior to Nakazato Joen,  I am going to use the Shiornji Ryu kata for the Kyan example of Patsai For the Gojushiho I am going to show the Nakama Haruku version, his instructor was also a student of Kuan.

 

 

For the opening he began with his own version of Sanchin.

 


 

The next session came from the Kyan form Patsai.

Patsai Shorinji

 


 

Gojushiho

Haruku Nakama demonstrates the kata he learned from Okuhara Bunei student of Chotoku Kyan.
 
Useshi (Gojushiho) begins at 6:40 on the video.
 
 

 

 

Kusanku – I am using the Shimabuku 1958 video, which shows the section he used in SunNuSu

 


 

I am using the Hiagonna Morio Seisan Bunkai video

to show a likely source for the various kicking techniques in the Goju Seisan.



 

 
or he man have incorporated the elbow parry as in Itosu Pinyan San Das as in Matayoshi Ryu. 
 

 

 

Again IMO the rest of the kata represents the ideas of Shimabuku Tatsuo.
 
 

 

 1958

 

 early 1960s
 

1966

 
Charles Murray Sunsu in Agena
during his Chinkuchi training 1972


 

 

Charles Murray Sunsu 1980

 

 


Charles Murray Sunsu 2016

 


 

Andrew Ware 1980


 

 

Young Lee SunNuSu 2012


 


Kusanku Kata - a study in derivative variation




 


Nishime Kusanku

 


 

Kosokon Dai Shito Ryu

 


 

Shobayshi Kusanku Dai Kata

 


 

Nakazato Shūgorō 仲里 周五郎 - Kusanku  Dai kata
 



 

Zenpo Shimabukuro, Kusanku
 


 


Shorinji Kusanku

 




 

Toshiaki Gillespi Shorin Ryu Kusanku




 
 

 

Shimabuku Tatsuo Kusanku

 1958

 

 1964

 


Kusanku Kata Angi Uzeu

 


 

Kusanku kata from Kaneshi Eiko via Shimabuku Tatsuo Sensei



 

Charles Murray 1980

 



Charles Murray 2014

 

 


Michael Cassidy 1991


 


Young Lee Kusanku 1992

 


 

Young Lee Kusanku 2014
 

 
 


Young Lee and Charles Murray 2015




 

Monday, February 2, 2026

Chinto Kata - a study in derivative variation


 

Soken Hohan Chinto

 


 


Eizo Shimabuku Chinto Kata

  


Nakazato Shūgorō 仲里 周五郎 - Chinto kata

 


 

Shorinji Chinto

 


 

 
Kata CHINTO (Old style) - Okinawa Kôkôsei Taikai 2009


 

Toshiaki Gillespi Shorin Ryu Chinto

note the kata is performed on a north-south embusen

 


Tomari Chinto Shimabukuro Sensei 島袋先生 泊チントー
 

 
note the embusen goes east to west
 



(Tomari) Chinto Kata. Karate. Matsubayashi-ryu. Shinzato sensei. ( ) チントウ型. 松林流空手

 


 

Shimabuku Tatsuo Chinto
 

 


Chinto Kata Angi Uzeu

 

 

Eiko Kaneshi Students Sunsu Chinto kata


 

 

Karl Hovey 1998


 


Tom Lewis Chinto
 



 

Charles Murray 1980

 
 

Charles Murray 2012
 


 

Young Lee Chinto 1990

 

 

Mike Cassidy Chinto 1992

 


 

Young Lee Chinto 2016

 

Chinto – Chinto 1990





 
 

 

 

 

Wansu Kata – a study in derivative variation

Shorin Ryu footage of Kyan-style Wansu
performed by Nakama Haruka
  seisan at 5:41

 


Seibukan Wansu

 


 

Shorinji Nakazato Wansu 

 


 

Wansu kata (Shorin ryu) Arakaki sensei
 


 
 

Wanshu Kata - Nagamine Shoshin 

 

 

Funakoshi Empi (wansu) kata


 

 


Shimabuku Tatsuo Wansu kata

 


 

Angi Uezi Wansu kata

 


 

Wansu kata by students of Tokumura Kensho Sensei.


 
 

Josh Normandin Wansu 


 

 

Young Lee 1990 Wansu


 

 

Andy Sloane Wansu kata


 

A personal note I imaging (with no documentation behind this) that Wansu kata was Tatsuo Shimabuku's first effort to expand the kata he learned adding other material he felt expanded his art.

Sunday, February 1, 2026

Time for a good Isshinryu story, this one about Sherman Harrill






When I first met Sherman at a clinic Garry Gerossie hosted, I partnered with a Shorin Ryu Black Belt who was there. Turns out he was a friend of Garry’s, and he was at clinics Garry hosted, then at later one’s we hosted together.

 
Then he hosted clinics in Rhode Island with Sherman too. I attended about 4 of them there.

 
But this occurred at the first one.

 
Almost all of those attending were from Rhode Island including local Isshinryu. Several of them were adult black belts from another Shorin Ryu group there.

 
After a while through Sherman’s presentation that day one of the adult young black belts (of course young to me about 25 or so) asked Sherman how those techniques would work in a real kumite.

 
Sherman explained I do not teach kumite.”

 
That floored the black belt who asked “You do not teach kumite, then what do you do”

 
Sherman explained that he would just stand with his hands hanging at his side.

 
That black belt was incredulous and didn’t believe that was possible. “Well is someone attacked what would you really do?


Sherman just gave the same answer. Then when he observed the black belts inability to believe what he heard, Sherman added,Why don’t you just attack me with full speed any way you like and I will respond but I add, I will only use 50% power in my response.” After saying that Sherman just stood there with his arms at his side.

 
That black belt just gathered himself together, then suddenly he lunged forward with a lead punch towards Sherman face.

 
Then just before he was at his half way point of his attack Sherman responded.

 
What Sherman did was pivot counter-clockwise and while doing so his right arm rose and then fell in an arc, very quickly. Sherman’s arm just cut across that punching forearm, striking through that forearm with a crack.

 
You just heard the strike and observed the young black belt's arm falling as he dropped to his knees in pain.

 
Sherman moved over and helped that black belt to his feet.

 
And as he did so Sherman explained to him. “If you want we can do that again. But as I am getting older I do not have as much in me, so next time I will have to use 75% power, “ in a straight face.
 

That  black belt declined the offer.

 

Tokumine No Kun – a study in derivative variation


Tokumine No Kun  – a study in derivative variation
 


BO Kata TOKUMINE NO KON - Okinawa Kobudo Championships
Matayoshi Kobudo
 



 

Demonstration of the kata TOKUMINE NO KON (old-style),
at the Okinawa World Karatedo Tournament 2009, Budokan, Okinawa

 


 
Tukunmi or Tokumine nu kon
(tangible cultural property of Chinen village of Shimajiri)
performed by Nakazato Jyoen sensei.
Who was also a student of Kyan Chotoku


 

 

 Shorinji Ryu kata Shorinji Bo



 

Shorin-Kai International: Tokumine No Kun
This Kobujitsu Kata comes from 10th Dan Grand Master Eizo Shimabukuro
Ezio was Tatsuo’s Younger brother

 



Tatsuo Shimabuku Tokumine No Kun 1958

 

Shimabuku Tatsuo Tokumine No Kun


 

Angi Uezu Tokumine No Kun 1968

 

Tokomine no kun Bo kata - 1 of 3 -Angi Uezu


 

 

Kensho Tokumura does Tokumine No Kun at IHoF in 2009.

 


 

 

Tom Lewis Tokomeni No Kun

 


Charles  Murray 1968 Tokumeni No Kun

 




Mike Cassidy Tokumeni No Kun