Isshin - Concentration the Art
Ongoing thoughts on my martial studies and interests, which encompass almost everything.
Monday, February 9, 2026
Friday, February 6, 2026
Regarding when the School Board allowed Karate to be taught in the schools.
Reading
further into Joe
Swift’s book “Itosu Anko” about the cultural changes on Okinawa
giving rise to taking toudi into the Okinawan school system, it brought many
other things I have been reading in the
past half year from other sources on that same topic. Then this gave rise to
some very interesting thoughts.
Back
in the 1870s Okinawa was subjected to many changes by Japan. They were formally
brought into Japan, their king was replaced, the gentry were de-classified as
such making their need for te and toudi in their lives irrelevant as new
Japanese controlled systems were set up.
The
important thing to recognize were many of the same things were occurring in
Japan, too.
The
old social order was abandoned; meaning among other things the promotion of
social equity meant there were no further need for a samurai class. The
military was organized by the institution of training for all soldiers. They
very quickly realized many of their citizens were unprepared for military
training. A new education system was established and incorporated training
ideas from the United State and France. Among them martial gymnastics and
sport, in an attempt to indoctrinate the young into current Japanese social
belief, to build stronger bodies, etc.
This
was also done on Okinawa as schools were opened for many who did not have that
access before.
To show their patriotism 50 Okinawan’s
attempted to enlist in the Japanese Army, however only 10 of them passed the
physical. The doctors noticed all of them had trained in the Okinawan martial
arts.
That
might have been part of the reason behind Itosu writing to that school board
that Toudi (pronounced in Japanese as Karate), abet with modifications, ought
be incorporated into the schools. I also suspect he had more knowledge of what
was going on in Japan (of course supposition on my part.).
The
school board he was writing to was in Japan, as they controlled the content of
the Japanese school system.
At
that time they were considering how/why not include judo and/or karate
throughout the new Japanese school system.
So
that school board likely considered Itosu’s proposal as a way to test if this
training would work As Okinawa was regarded pretty much as the back water of
Japan, if it didn’t work out, only Okinawa would be affected.
No
doubt a harsh reasoning as to why the Japanese School Board went along with
Itosu’s proposal.
And
an experiment that worked out and continued to influence the development of
Karate in many different ways, both in Japan and on Okinawa.
So
much so Japan 5 years later eventually included judo and kendo instruction in
their own schools.
Joe
then moves into a more in-depth discussion about the change from Te and Toudi
into the Karate of the Schools.
How sword influenced the development of Te on Okinawa
Reading
again Joe
Swift’s book “Itosu Anko”, In the first section, The Te of Shuri, I am taken by
his point there was a long tradition of Japanese sword on Okinawa. Much of it
seems to be variations of Jingen Ryu (Ko-Jingen Ryu) and that
those arts had an impact on the development of Te.
He
goes into detail explaining the sword use on old Okinawa.
Then
Joe mentions another possibility.
Tategi-uchi is the
fundamental practice in Jigen-ryu. Practitioners repeatedly strike a hard
wooden post embedded in the ground using a wooden sword. The target is
approached from a distance of around 9 meters, and then struck repeatedly on
the left and right sides while screaming “Ei!” Tategi-uchi teaches distance,
timing, correct grip, use of the hips, and speed.
In
the Edo period Jigen-ryu adepts were instructed to strike the tategi “3000
times in the morning, 8000 times at night.”
That
could have influenced the development of the makiwara for striking practice.
Interesting
things to consider. We have Joe Swift for writing about them?
Now I
really know nothing about the Japanese Sword of the different styles that have
developed.
Togo
Jigen ryu in Kagoshima
A
kendo class in 1957 and a short demonstration of Jigen Ryu Heiho
I
could not find a video of Tategi-uchi, striking the post with a wooden sword.
But I found something similar.
Nodachi
Jigen Ryu developed in Kyushu during the 16th century, one of the elements
practiced in this traditional Kenjutsu school is to cut against a vertical
pole.
Typical
is also the high version of the Hasso-no-kamae (with the sword held vertically
above the shoulder on the right side).
This
is the closest a video of Nodachi striking today.
.pdf files from the University of Hawaii Scans
A long time ago I downloaded some .pdf files
from the University of Hawaii Scans donated by Charles
Goodin.
These scans came from the .pdf file labeled Iguchi- Randori 1912
These are just a few of the opening pages of illustrations,
the entire work contains much more.
Remember the pages and illustrations are viewed Left to
Right.
“Martial Arts Okinawan Karate Kata” Seienchin kata
I
was browsing my ,pdf martial books fire and saw one in German titles “Martial
Arts Okinawan Karate Kata”. It didn’t show the author or the date of publication,
but it began to interest me. So I scrolled forward a bit and discovered a few
kata applications that interest me. Spent about an hour translating that small
section of the book
What
is interested me most was the application of a movement from kata Senenchin
(our Seiunchin). One I had never seen before.
Here
is my translation of the ending of that section.
“The Kata Seienchin is first of all a kata,
which is practiced with some force. But it is just as all other kata, also
executable to the opposite. Let me give you an example. Movements 26-32 mean:
First, after dodging, I enter the movement of the attacker with force and destroy
his posture to prevent another attack. If I'm not so strong to do this, I use
my mind. I let him attack and, in a way, push myself out of his line on the
strength of the opponent - in the end I have the same result.
The Kata must be executed as we can. But keep in mind this:
we give ourselves too easily beaten and think that this far exceeds the skills
we have, so I take the "first" easier way without knowing how deep my
skills actually reach.
Women often think they are physically weak without knowing
their real strength, or vice versa, men who often think they are strong without
knowing that strong and weak cannot be pinned to our physical condition.
But everyone who fights, no matter which way, loses a part
of himself! “
This is what interested me. For the section of the augmented
right block followed by a low strike to the groin with the left fist. It shows
use of the step back to right low block, but instead shows that left low groin
strike as an entry with that hand into a fireman’s throw.
Tuesday, February 3, 2026
SunNuSu (Sunsu) Kata – a derivative analysis
This analysis is only what I see, not necessarily as other would see it.
I
don’t see these videos as end points, rather glimpses of stages where they were
at that time.
As kata SunNuSu
(Sunsu) as the creation of Shimabuku Tatsuo
I am going to show kata which
inspired sections of his creation.
Some are from his
Isshinryu, meaning studies with Kyan and Motobu. As he was a senior to Nakazato
Joen, I am going to use the Shiornji Ryu
kata for the Kyan example of Patsai For the Gojushiho I am going to show the
Nakama Haruku version, his instructor was also a student of Kuan.
For the opening
he began with his own version of Sanchin.
The next session
came from the Kyan form Patsai.
Patsai Shorinji
Gojushiho
Haruku Nakama
demonstrates the kata he learned from Okuhara Bunei student of
Chotoku Kyan.
Useshi (Gojushiho)
begins at 6:40 on the video.
Kusanku – I am
using the Shimabuku 1958 video, which shows the section he used in SunNuSu
I am using the
Hiagonna Morio Seisan Bunkai video
to show a likely
source for the various kicking techniques in the Goju Seisan.
or he man have incorporated the elbow parry
as in Itosu Pinyan San Das as in Matayoshi Ryu.
Again IMO the
rest of the kata represents the ideas of Shimabuku Tatsuo.
1958
early 1960s
1966
Charles Murray
Sunsu in Agena
during his Chinkuchi training 1972
Charles Murray
Sunsu 1980
Charles Murray
Sunsu 2016
Andrew Ware 1980
Young Lee SunNuSu
2012
Kusanku Kata - a study in derivative variation
Nishime Kusanku
Kosokon Dai Shito
Ryu
Shobayshi Kusanku
Dai Kata
Nakazato Shūgorō 仲里
周五郎 - Kusanku Dai kata
Zenpo
Shimabukuro, Kusanku
Shorinji Kusanku
Toshiaki Gillespi
Shorin Ryu Kusanku
Shimabuku Tatsuo Kusanku
1958
1964
Kusanku Kata Angi
Uzeu
Kusanku kata from Kaneshi Eiko via Shimabuku Tatsuo
Sensei
Charles Murray 1980
Charles Murray
2014
Michael Cassidy
1991
Young Lee Kusanku
1992
Young Lee Kusanku
2014
Young Lee and
Charles Murray 2015
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