Tuesday, June 29, 2021

Charles Murray Self Defense demo from the early 1970's

 

Charles Murray

 

Me and Mark Murray (no relation) started teaching Isshinryu Karate when we were 2nd degree Brown Belts. We taught in his garage to a handful of fellow High School students. 


Among then was Jimmy Mears (in white in this video). Jimmy was one of those amazing students that seemed a natural and took to Karate like a duck to water. Proof being in the pudding, three weeks after he began training, he entered a big tournament and took third place in a division with, as I remember it, 300 others in it. 


Some of these had been studying as much as three years and were mostly adults. We were pretty much still kids. Jimmy passed away a few years ago and I recently sent this video to one of his sons, who himself is a fighter of note. Anyway this is a self defense demo we did together in 1972 or 73.

 

 


 

Seiunchin Kata and the Hustle


https://www.youtube.com/watch?v=O0zTY0y8VQ0 


When I was a yellow belt and had just learned Seiunchin kata, Lewis Sensei formed a yellow belt demo team for a demonstration at the Salisbury Civic Center. We were drilled to do the form to Seiunchin kata. To this day the music comes to mind when I do Seiunchin Kata.

 


Sunday, June 27, 2021

The it became as if a new day dawned.

 


The journey I have made in the arts if of course a personal one. The fullness of my art goes way beyond what I shared with my students.  Any art is that way, when things became a formula to instruct students  those formulas never ever touched on what  was possible in more time, decades of work. Nor was much of that even expressed to students, it was beyond where they were.


In my own journey there were those moments when things came together and something new and exciting occurred. Occurrences that were unexpected and very exciting. Many of them I described to my senior students, many that I did not because they never had the full context behind what I have experienced.

 

Make no mistake about it, what I gave them worked, very well. But when you enter the infinite nature of one’s art, there are those discoveries that will remain one’s own. And that is ok, as they will experience their own discoveries that will also be theirs alone.

 

 

I think I would like to express some of my own discoveries.

 

1.    The day I realized that a technique could be described as what I needed it to be. One result what that every movement of every kata could be amended to include the next step of that kata. Which then became each technique would become a takedown requiring less power, a new force enhancer to add to the depth or my art.

 

2.    When I realized that the act of turning in kata was a weapon in its own right, as well as a force enhancer to add to the following kata technique. I discovered that the hammerfist strike in Seiunchin kata when accomplished with the following turn would drop an opponent with very minimal power.

 

3.    One time a different way to utilize a technique in Wansu came to me. I light applied it to a brown belt, which resulted in them dropping down toward the floor and necessitated me catching them. This was my first experience using extremely light force and obtaining such a result.

 

4.    One day after showing some new students how a light aikido flow thrust with the fingertips could be used, after class another student showing off his jump spinning back kicks (learned in prior training) was forcing them to retreat from him. I went and approached him and said that what I had showed them that evening could stop that attack. Of course as he had previously held a  brown belt he did not believe me. So I asked him to throw his kicks at me. As he did so I stepped into him and as he turned with his jumping spinning kick I lightly used a fingertip  flow stroke into his neck. He immediately flew back 20 feet into the dojo wall.

 

5.    Another time with a new student I had him step in and throw a punch toward me. I responded to that attack using a Ghost Technique and by the time he finished his punch I was no longer there, Instead I was standing 20 feet behind him.

 

6.    Another time it was teaching my T’ai Chi class and a use for the T’ai Chi Press came to me so I grabbed one of the guy’s (one of my Isshinryu black belts) and asked him to step in an throw a punch toward me. He did so and I very lightly applied my t’ai chi forms press into him as a response. It caused him to drop like a rock. I apologized to him as that was not intended to drop him, especially as I was using very light power with the press. So I asked him to do it again that time using even lighter power. The same thing happened. That night I called Ernest Rothrock who taught me the form. When he heard what happened he replied laughing: “Didn’t I tell you never to apply that to a student.” When I studied with him we did not explore applications just how to perform the form. So on my own I discovered how effective T’ai Chi could be. I learned how powerful the turn of the hip from that section was used as a force enhancer.

 

7.    Another T’ai Chi class ended and I came up with a different way to use the techniques from the opening of Chinto. So a asked one of my students (another of my Isshinryu black belts) to step in and throw a punch, I was just working my way through that application and was using very little force. Before I completed the movements what I was doing had dropped him. Again, I apologized, and trying to understand what occurred was going to use even less force. He attacked and again before I finished my movement he hit the ground. Later that day I worked out what occurred. Use of the turning hip in that motion was the reason the force dropped him.

 

8.    Another t’ai chi class I worked out with the guy’s how the focus of the tai chi movement would be at the very end of the technique. I worked out that was where t’ai chi and karate intersected, that feather touch of power at the conclusion of techniques. The next weekend Sherman Harrill was giving us another of his clinics. I could see my guy’s eyes move from each other as they saw his karate demonstrate the same principle. There is but the touch of a feather between what makes T’ai Chi and Karate effective. The same touch in each case.

 

9.    Another time I was working on the Tomari Rohai for myself, that Joe Swift and Mario McKenna had shared much information about the form with me. I was just working through the form. An interesting opening, akin to Ueichi Sanchin, with what appears to be a finger tip thrust with a hand, actually what happens is from chamber it begins as a nukite thrust, but on the end becomes a single knuckle descending thrust. It is very rapid and unless you know what you are looking for it appears to be a nukite  thrust.

 

So working on the technique slowly, one of the parents of the youth I taught from the previous class came up to me and said that did not look like it would be effective. He volunteered to let me strike him with it. I did so extremely lightly for I just wanted him to feel what was happening. Instead that slow motion strike left a mark on his chest that was there for a month.

 

There are more such events. They showed me that there was a lot to what I was studying.

 

O’ my students did learn something too. It could be painful to be my attack partner.

Friday, June 25, 2021

The Bo becoming Baton Twirling

 



 

We have all seen modern Bo routines, which often use the name ‘traditional’, which are nothing like a traditional Bo form.

 

With accompanying gymnastics and attendant high kicks the forms use the format, move then stay still and fancy twirling, move again then stay still and fancy twirling, etc.

 

The stand still is nothing from traditional bo where the motion of the body was an important part of the strikes with the bo. Instead they stay still when they are twirling the bo. It really is done to allow those fancy twirls.

 

Yes, they have great gymnastic and kicking skills (also not related to any traditional karate) as well as twirling skills. But those skills have no relationship with what a bo was originally designed to do.

 

For one thing if you just have them perform their strikes striking a heavy bag they would find themselves unable to hang on to their bo.

 

Nor am I impressed with their twirling skills.

 

When I was a boy, there were 3 Berg sisters, who were national baton twirling champions for years. Back then they held a National Baton Camp in Red Lion for a week each summer. The town park would have hundreds of twirlers descend on its grounds, and there were many, many baton clinics held there, to end in a competition on Saturday.

 

There were so many there, including the instructors, with great twirling skills. So using the bo is but a variant of what baton twirling was many years ago.


Of course for those of us who do care more than providing a spectacle for a crowd, what is happening is the judges who give scores that these are traditional forms, are themselves the ones who are being judged.

 

If the referred to it as a martial inspired contemporary exercise then these activities might not be as offensive to those of us who do real Kobudo.

Monday, June 14, 2021

My brush with Bando

 


Just one morning, it happened.

 

My instructor Tom Lewis was friends with the founder of Amercian Bando Dr. Gyi.

 

While I heard stories about their system and training, and met several of their seniors at Sensei’s summer parties over the years, I never had the chance to train in the system.

 

When I was a brown belt, my then instructor in Isshinryu, Charles Murray, learned the Bando Staff form , The Horseman’s form (or the Horseman’s Foot soldiers Form), from another of my seniors Reese Rigby.

 

Reese learned it at a Bando summer camp when it was taught, and later competed with it in the Bando Nationals and won.

 

After Charles returned to the USAF and I was alone in my training. On those occasions when went to Salisbury I would stop in Dover, and also train with Reese Rigby. He would review my Isshinryu kata, and whatever else I was learning from my friends, and also help me understand the staff form better. Such as turning the hand over for side strikes to the hand would be behind the bo for a stronger strike.

 

On one of those visits he also taught me the beginning of the Bando short stick form, the Hidden Stick.

 

Of course I practiced.

 

Then from Sensei Lewis I received a form to attend the 1983 Bando Summer Camp, one weekend in Maryland at a Boy Scout Campground.

 

There were others in Isshinryu there, some from Dover I think, Anna Lockwood and some others from Salisbury, as well as others in Isshinryu. (Don Bohan’s Group). I was about san-dan at that time. At that time I was then teaching young through the Scranton Boy’s Club.

 

The Bando Camp was an experience. No one wore obi, all the same t-shirt. A wide variety of training was offered:

          Bando stick techniques (including impact training striking logs),

          Escrima stick training.            

           A demonstration of the effects of different bullet impacts,

          Choking techniques taught by Rick Nemira

          Bando kumite skills

          Breaking skills (where Rick wowed all showing slaps as a breaking technique)

          Don Bohan teaching Urashie No Bo.

          A Bando Woman instructor teaching a form      

          Saturday Night there was a Bando War Game of sorts

          Early morning runs.

          I am sure there was more , but this is all that comes to mind at this time.

 

During the Bando Kumite skills (such as leaping knee kicks) I asked a question of one of the Bando instructors.  He replied something then asked me what would I do. I admit I was far from impressive looking and as I wasn’t wearing any rank, I replied to his question by throwing a round kick over his head. He asked me how I could to that and I think I responded it wasn’t difficult with 15+ years training.

 

He remembered me and after the war game he and I talked for a long while, I explained the diversity of training that I was experiencing and he explained many details of Bando training as he understood them

 

The next morning I was using the time after breakfast to practice those Bando forms I knew. I ran through the Horseman’s Form then started the piece I knew of the Hidden Stick. The gentleman from the previous night observed me and asked how I knew them. I explained. Then he said that his version of the Hidden Stick was different. As he was going to attend a Bando seniors training session with Dr.Gyi, something regarding Gukri Knife impact training against rocks, and cutting stones thrown at oneself or some such exercises) he was going to have several  Brown Belts from his school teach the form to me.

 

For the next two hours two gentlemen from that school, worked to teach me that form and the meanings of the movements. It went piece by piece. When I took breaks, having had experience learning forms quickly, I used the time to share the Horseman’s Form with Anna Lockwood, as she had previously asked me to do so. The time went quickly. I tried very hard to remember that form.

 

Shortly after lunch camp broke up. I then left to drive back to Scranton back up 84. The entire time I kept going through the stick form. Then when I got home I went out back and practiced some more.

 

Then practice, practice, practice.

 

A number of month later, Once again I went on a trip to visit Sensei. This time I was asked to share with everyone there some of my studies.  With the class I shared the Goju Seipai kata, with Sensei I shared the Tjimande Tiger form I studied, and of course I spent some time with Anna Lockwood on the Bando staff set.

 

On the way home I stopped to visit Reese Rigby in Dover. We compared our versions of the Bando stick form. After we had each done it, he felt my form was fine, but he wasn’t going to change his way of doing it. I recall I remarked I felt the same.

 

So practice, practice, practice.

 

Around 1988 I began to share ½ of the Bando Stick form as a Brown Belt practice. I had decided that while I wanted brown belts to have some weapons training, I was going to reserve all Isshinryu Kobudo for Dan training. I felt the students had more than enough to work on, and that I wanted them to know more about the system so as Dans they could focus greater intensity on the Isshinryu forms. As to ½ of the Bando stick form, it was more that enough of a form in it’s own right.

 

An interesting thing occurred, each time we competed in a tournament where we had not been seen previously. When Young Lee from my program  approached the judges you could see them speaking between themselves, as was the audience audibly remarking that Young did  not have a weapon (as the stick in the beginning is up the sleeve. Then when he stepped back and pulled the stick from his sleeve, there would be an audible gasp from the audience. As I said this has happened several times.

 

From what I understood the stick was a back up weapon. If the primary weapon (such as a sword) was lost on the battlefield, the stick could be pulled from the sleeve and you could continue to fight.  Its primary relevance today still remains the same. It is a subtle weapon for defensive use on the street. It is not designed or trained for stick to stick combat as we use it.

 

The full form became a optional Dan study (though so far all have elected to do so). It provides a challenging study for the Dan.



 

I have no idea as to how much we vary from the Bando version(s) of the form, as I do not study with anyone in Bando. I am content with the study as we proceed. However recently Bob Maxwell (Bando) shared an older Bando Kukri form, and our stick is very close to the same movement. It is possible that the stick was a variation on this form, originally. Perhaps a preliminary study to the Kukri Knife, studied in the Bando system.

 


 

The kobudo of Taira Shinken

 


 

 This is the available Taira video. He did have an injured right knee from his coal mining days as a young man. There is a surprising large amount of video of some of his studies. Which is a very large study which this doesn’t approach, however the movement of his and his students can be studied. How much of this entered Isshinryu? It is difficult to say. While Shimabuku did study with him, it was not for a long time.


Taira Shinken



Bo           https://www.youtube.com/watch?v=3_4WcJGnyiY       


Sai
          https://www.youtube.com/watch?v=xQMR3geE5Ss



Tonfa    https://www.youtube.com/watch?v=vhxvS3Zf-hU

Nunchaku https://www.youtube.com/watch?v=ipnRmwEP2H0

                https://www.youtube.com/watch?v=HpG5S0RHgcc




Nuntai  https://www.youtube.com/watch?v=eFSgkrFLtpo   - video unavailable

 

His students Okinawan and Japanese carried on his tradition. Here are examples showing the differences.

 

Taira’s Japanese student Innoue

https://www.youtube.com/watch?v=iMaingFAaJU

https://www.youtube.com/watch?v=8_pujLhoO-M

https://www.youtube.com/watch?v=PYrouk-DmDw

https://www.youtube.com/watch?v=arz6pRLHF2o

 

Taira’s Okinawan student Akamine

https://www.youtube.com/watch?v=qrWyf8Yip3g

 

The Kata of Taira Shinken

 

Patrick McCarthy – Ancient Okinawan Martial Arts 1 – Koryu Uchinadi

     P110 – A Capsule History of Taira’s Kata Syllabus

 

I’ve tried to find the Kata of Taira Shinken listed by McCarthy Sensei via youtube search. If my efforts aren’t totally correct at least these video’s suggest the range of weapons Taira was working on.  I’m hoping I’ll receive further assistance to complete this list more accurately.

 

From Kangeawa Gimu

Nichokama

  Juichi Kuda Nichokama    http://www.youtube.com/watch?v=KazCl6eeAdU

Suruchin

  Suruchin Kata shinpi Goriinto Ryuha   http://www.youtube.com/watch?v=DUnbWwCgKxc

 Tenbi

  Tinbei Rochin

     http://www.youtube.com/watch?v=Q349Gt1gLlY

     http://www.youtube.com/watch?v=tZM6JhUrRo8

Tekko-jutsu

     Warrior Paages

       Teko Introduction http://www.youtube.com/watch?v=Ezq9bZSc01s

       Teko Striking drill http://www.youtube.com/watch?v=O4yH5GzO-a4

      Ryuku Kobudo Maezato no Tekko http://www.youtube.com/watch?v=UVmSy5eEwuA

 

From Yabiku Moden

 

Bo jutsu of Chinen Shikiyanka   Takara Koichi demonstrates Chinenshikiyanaka no kon  

     http://www.youtube.com/watch?v=Jv8fuG-3yFc

Bo  Sushi (dai/sho)

     Shu Shi No Kon Dai http://www.youtube.com/watch?v=4MHax1lCRRA

     Shu Shi No Kon Sho http://www.youtube.com/watch?v=ksEZ6MoawZw

Bo Tsuken  Chiken No Kon (Tsuken Bo, Chikin Bo) performed by Sensei, Indishe Senanayake

         http://www.youtube.com/watch?v=kglUlxgDYy0

Tsuken Sunakake (eiku-jutsu)

     Chikin sunakake no eku  http://www.youtube.com/watch?v=J7dfTIOYJ80

Sakugawa (dai/sho)

     Sakugawa no kun dai http://www.youtube.com/watch?v=3yBPLAIk9qU

     Sakugawa no kun sho http://www.youtube.com/watch?v=A7FjMzwA58Q

 Yonegawa Hidari bo

      YONEGAWA NO KON (Hidari Bo) http://www.youtube.com/watch?v=tJer8BnWicU

 Shirotaru

      Oshira Shirotaro Bo http://www.youtube.com/watch?v=tN5l4az78yo

 

Sai jutsu of Tsukenshitahaku, Kojo, Tawata and Yakaa

    Tsukenshitahaku no sai http://www.youtube.com/watch?v=WmIsRycQIlA

    Kojo sai ????

    Tawada no sai  http://www.youtube.com/watch?v=zOm3p5DA97Q

    Yakaa no Sai  http://www.youtube.com/watch?v=0y503g8ZWRM

Tuifa-jutsu of Hamaniga and Yaraguwa

    Hamahiga no Tonfa  http://www.youtube.com/watch?v=2FJC2RR9Zo0

    Yaraguwa no Tonfa http://www.youtube.com/watch?v=CN-KbmtJTWY

 

Nunchaku Jutsu from Yahiku sensei

   ????

 

From Mabuni Kenwa

 

Bojutsu of Sueyoshi, Urazone and Sesoko

  Sueyoshi 

    Murakami Katsumi – Sueyoshi No Kon Dai http://www.youtube.com/watch?v=wgK0KbZS714

  Urazone          ???

  Sesoko

    Shorin-ryu Shubukan – Sesoko no Kun http://www.youtube.com/watch?v=7_Uz7W-xkQw

 

 Saijutsu of Hamahiga and Hantaguwa

     Hamahga no Sai – Kamnisko Sedlo http://www.youtube.com/watch?v=5aqQaB5J06I

     Hantaguwa no sai   ???

 

From Kamia Jinsei

 

Bojutsu of Choun and Soeishi

    Choun no kun http://www.youtube.com/watch?v=IZRDy6JsE4I

    Soeishi no Kon Dai, note from Joe Swift, “Murakami Sensei told me that Inoue Motokatsu taught it to him as "Sueyoshi no Kon Dai  http://www.youtube.com/watch?v=wgK0KbZS714

 

Sai jutsu of Chantanyara

    Chantan Yara No Sai  http://www.youtube.com/watch?v=qrPtHW9Y7n0

 

Footage of Taira Shinken _from Warrior Pages

  Sai Kata http://www.youtube.com/profile?user=ShuriLeopard#p/u/10/xQMR3geE5Ss

  Nunchaku Kata http://www.youtube.com/profile?user=ShuriLeopard#p/u/13/ipnRmwEP2H0

  Bo Kata  http://www.youtube.com/profile?user=ShuriLeopard#p/u/16/3_4WcJGnyiY

  Tonfa Kata  http://www.youtube.com/profile?user=ShuriLeopard#p/u/17/vhxvS3Zf-hU

 

 

 

HamaHiga No Tonfa  https://www.youtube.com/watch?v=Wz9xJKI0Zy0

Shiakatsu no Kun  https://www.youtube.com/watch?v=Pc4N1hOLLkA

 

 








Sunday, June 13, 2021

Chosen No Kama Dai

 



Chosen No Kama Dai from Tristan Sutrisno (Shotokan, Aikido , Tjimande)

 

I had begun training with Tristan Sutrisno about 1980 . We had met several  years earlier competing against each other at tournaments. I took him up on his invitation to visit him and he had me jump into his class to train.

 

I trained in many practices I had never seen, and after each monthly visit I would make notes to remember what I had been shown, realizing that these were one time events and wanting to retain as much as possible.

 

I remember after a while he was teaching his brown belts a new kata, the Kama kata Chosen No Kama Sho.  He had me join in that training. Of course I kept notes to remember it. The following visit he was showing them the 2nd kata in that chain,. that of Chosen No Kama Dai. That form was extremely close to the first kama kata, but the technique execution was quite different.  Thus another thing that would be one off to remember.

 

That was all the instruction I was to receive.  Of course I practiced those two kata forever.

 

A few years later he competed at a tournament in Pennsylvania I was not able to attend.  His kobudo kata was Chosen No Kama Dai-Ichi. I gather it was vastly more advanced but retained most of the original embusen of the series of kama kata. I recall he won first place in that competition. I never saw the form.

 

When I moved to New Hampshire in 1985, Tristan would pay my visits to give clinics for my students and I.  He also sent me a video of a Christmas Demonstration his students gave, and on it his student Ed Summers did the Chosen No Kama Dai kata.

 

Chosen no Kama Dai performed by his student Ed Summers about 1985


 

Then in the later 1980s Tristan was giving another clinic for my students and that time one time he decided to work with me on kama.  There he showed me different ways to execute kama technique in the form.

  

Tristan working on Chosen No Kama Dai in my backyard in Derry about 1988



https://www.youtube.com/watch?v=XPTljJKC7ls


A number of years later I showed Ernest Rothrock the form when he was giving a clinic for my students on some of his arts.

 As performed by myself around 1992



 

For me personally it was always difficult, the continual shifts between open handling of the kama to closed handling of the kata then back to open kama proved to be most challenging. And as I aged it became more difficult, perhaps an early indication of my disability that was to come.


 --------------------------------------------------------- ---------------- ---

I was shown the Chosen No Kama Sho and Dai kata

In 1980 on several of my first visits to Tris’ dojo.

 

The standard in the Sutrisno dojo is that both kama kata

Used the same embusen.

 

The handling of the kama was more advanced in the Dai version.

 

Chosen No Kama Dai ( version 1) 1988 and 1st row of the Yang Tai Chi Chaun

 

https://www.youtube.com/watch?v=K3eyzhcInOE




Kama Sho

pass

https://www.youtube.com/watch?v=iRmpYtUYI-k



Kama Dai pass

https://www.youtube.com/watch?v=ka_FvtCDLdI





Saturday, June 12, 2021

In lieu of karate there is a case that the Okinawan people were far from defenseless.

 

Karate as more a tool developed by the Okinawan Samurai, likely was not perceived as something the ordinary person needed.

 



 

I might suggest the common Okinawan was not as defenseless as many thought, The idea of a fishing spear being thrown at me makes me think differently.

  


 

After all they had access to individuals with tool and skills using them, a Sumo tradition for the young, and even inter town competitions, thinking of the rope contests.