A long, long
time ago, when I was young in the ways of the world (as a brown belt in 1978)
my instructor, Charles Murray, told me “the first 20
years your art is a reflection of your instructor, and after 20 years your art
is a reflection of you.” I have
found there is much truth in that sentence.
The question is
can one delete a kata from your instruction, keeping in mind the adage “Do not
change the system or kata”.
For simplicity
consider the modern aspect where many change what they are teaching and/or
rebrand it for their convenience, ad infinitum.
In the past (no
matter how you define it) it is obvious teaching curricula underwent many
changes as the instructors kept working on a better methodology for them. Of
course in those days it was not open instruction, rather private sharing.
I am sure that
adage is older than public instruction, but as karate became systematized
instruction, that probably became more evident adage repeated many time.
Yet systems
continued to spring into existence, and often the kata taught grew in number,
though there must have been instances where some were dropped.
I might offer a
suggestion, the intent might have been for the student, kata should not be
changed. On the other hand that did not mean for the senior instructor things
could not change, No longer a student, with a lifetime of experiences, it is
only natural that they would apply their insight to what they taught. And also
reminding students not to change anything. Which did not apply to them. LOL
Everyone of us
have pondered these issues. In my case the Isshinryu I was taught consisted of
8 empty hand kata, and 6 kobudo kata, which I had in 1979.
On the other
hand I was alone and worked to train anyplace I could, gravitating to those
instructors who had more to teach.
Whenever I was attending a class where something was taught, I just did
my best to remember it. Along the way I studied several hundred forms from many
systems. As incredible as it sounds I know instructors whose studies made my
feeble attempts pale, having studied in excess of 400 Chinese forms.
You realize
along the way it is impossible to grasp everything. Even more humbling you
finally realize you cannot share everything, Almost no one has that much time.
I did not change
what was Isshinryu for my students, however there are some other studies to
allow them to have a taste of other systems and also allow nobody to realize
what their studies consist of.
So if your
growth reaches the point that a different way presents itself to you, then
perhaps the time is ripe to follow that way.
Of course also admonish
your students “Do not change the kata.”
Then you are
preserving the tradition.
I had never
wanted to be an instructor, obtain rank, or even learn more kata. Those things all
just happened because I could not stop doing karate. Rank was whatever my
instructors wanted my rank to be. I had the Isshinryu system shoved down me by
1979, my instructor’s version) and that was enough for me.
But one thing
that was made clear to me was that a black belt didn’t say I can’t. And as I
found places and people to train with, whatever they were sharing I just did my
best to learn and practice. So things started to pile up. Some of it was
different versions of kata I knew, from different systems.
On a different
mission I did seek our tai chi instruction, I had a long separate interest, and
it was totally happenstance that I studied with Ernie Rothrock. As time passed
I approached him about learning some kung fu forms to judge them more fairly. I
believe he was amused at a karate guy caring about learning and he began a
different trip covering about material from 6 of so systems, Not to become an
expert, just knowledgeable.
Almost at the
same time I started competing against Tristan Sutrisno, and we became friends.
When offered an invitation to come and train, I went and learned a 1930 version
of Shotokan, Aikido, Kobudo and Indonesian Tjimande which he practiced.
And at that time
I was a true karate gypsy, Goju, Wado, Shorin, Bando were all systems I
explored.
No doubt it was
too much to retain. As time passed I had to put a lot of it aside, focusing
more on my responsibility as an instructor.
So I learned a
little, too little. But the challenge remained how to better use what I
understood.
A frequent claim
is that things were better when there were fewer kata studies. Which also
ignores many, many instructors made choices to increase the studies ever before
the contemporary era.
So lets think
about going backwards.
Was not one kata
enough. Or even more minimalist just one movement. One movement to learn how to
enter any attack movement and conclude the attack.
Is that not the
goal of all our studies? I believe so.
Learning many
kata offers more possibilities of learning ways to conclude attacks. What depth
you want those studies to take, why that is where human inspiration comes into
play.
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