My Isshinryu was
forged on the floor of Tom Lewis’ dojo, in intense training.
My Isshinryu was
forged on the dojo floor with Charles Murray in intense training.
At no time was I
handed a book or a movie and told to learn Isshinryu there.
(ok, there was
one exception to that the time Charles Murray had borrowed Mr. Lewis’s
Shimabuku movie and he had me teach myself Chia Fa from that movie.)
And that was
truly hard work.
But with that
exception my Isshinryu was what they shared with me.
That time I did
see that Shimabuku movie, I noted there were differences from his kata
performance to what I had been shown. But I always followed what my instructors
taught.
While there were
movies I had access to none of them.
Later video tape
started to become available. Charlie even sent me one of him doing kata, a bit
different from what I was shown.
But that was not
what I was taught, and continued to keep to the way I was trained.
Then video tapes
of kata became the thing. And I was curious and bought many, Not to study from
just to see. I never shared them with students.
When I restarted
my program in Derry, the local Boys’s and Girls club bought me a video camera
to use. I did film my student’s efforts. But more for my reference than sharige
video with them to study.
I had made video
record mostly of my own training in system not Isshinryu.
I had made video
records of my students progress.
Then the Big
Event, for a decade I was privileged to study a bit with Sherman Harrill. He
permitted me to film his clinics to retain the vast study of Isshinryu
applications he studied on his own, and was sharing at his clinics. Furthermore
I gained further understanding from his student John Kerker, who was very
unique in his own right.
Hours of video
tapes, and for the most part far beyond my ability to watch much of them.
For one thing
watching hour after hour of their showing applications is far above human
concentration for the most part. I only find I can view them in extremely small
doses. Abet very useful extreme doses.
What I
experienced was way more material than I could usefully use. But what a
treasure trove to dive into from time to time.
What I did learn
from watching those movies, VHS tapes, DVD, and eventual YouTube videos, was it
was most important to realize how you were viewing what you watched.
When I realized
what I was watching when I viewed kata video tapes was not just was I seeing
what other systems were doing. I was seeing one slice of a kata study. I was
not seeing the layers of a student moving towards that performance nor was I
seeing where that performance would lead the study of that karate-ka years down
the line.
To me kata was a
tool, shaping the beginners capabilities, then a tool to hone those developed capabilities.
For example around a decade into that study the body relaxes while performing
that kata (no matter at what point the kata is studied – 10 year). And as the
body relaxes it’s center lowers, which as the body lowers into the performance,
the body increases the power it releases with that form. Of course the time can
vary for an individual, but on the whole one begins to move toward maximum
power about the 10 years point of study.
And that is not
the end, as one becomes more used to moving relaxed, one begins to tap into
what the whole study is about.
No doubt many of
the kata performances on video are fine in and of themself. But they often to
not snow where that performance is ultimately leading towards.
Through your own
effort you can find solid (great) performance of an instructor made decades
ago, and then later performances of that same instructor doing the same forms
decades later, You can see the difference, time moves many things. Things not
hinted at on a single videotape.
I have been
trained by 8 individuals each of which is a powerful technician. Undoubtedly
there are many extremely skilled individuals. Perhaps not equally skilled, but
more than one person can count.
If I have
learned anything there is no absolute limit to what human capability is.
The only purpose
to training for me is to build students whose ability exceeds all others
ability. And to build instructors who continue to let the same paradigm guide
them. It matters not whether you succeed or not, but that you make the effort
continually to do so.
In such light
videotape of the best performance is but a step to train students to move
through and then to work to exceed.
At the same time
it is possible to learn a form at one showing in a clinic or from repeated
viewing of a video tape. Providing you understand what you have is just what
you have perceived the form is. Even 20 years or more work on that form can’t
change that reality. It may be sufficient for you, but because there are those
things you did not perceive, the result will be different too. You decide how
important that is to you. Just as long as you understand what that effort
represents.
You determine
the value of a videotape. Now that YouTube has made them so instantly
available, it takes little effort on you part to view them. What use you put
that viewing is also up to you.
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