Perhaps
as a way to give their young family members a sense of who they came from, the
Toudi instruction continued just for them.
But
Itosu foresaw another use for the training, as something which could strengthen
the young men through training offered through the schools.
In
order to get Karate into the school for physical education/character
building/self discipline, he had to rework it to be less "antisocial"
altering kata and it's original mentality for training he created something
different from the original art but based on it making it more obscure to those
later generations unfamiliar with its earlier practice and mindset.
For discussion I
might suggest too much emphasis was being placed on the development of karate
for the schools as the crux point of karate change.
Yes, there were
aspects of the original arts that were changed to allow it to be introduced
into the schools. But that alone did not change how karate was to spread. And
for simplicity lets ignore the export of karate into Japan proper.
The original use
for karate training was for a working art part of a Okinawan Bushi's job. It
wasn’t designed for allowing one to instruct others karate. Then that became
irrelevant as Japan was not going to employ them further in their roles.
So Itosu, et al,
brought a new art, karate, forward into the schools, for the specific purpose
of strengthening the young for life. And over time many other instructors in
many arts also taught programs in the schools.
Those arts (for
convenience let’s refer to them as karate) also began to transform and also be
shared with the public. Instructors from many styles started sharing with each
other, and as time passed for their own reasons some adopted the pinan kata
(developed for the schools). Not to replace their karate but to supplement it,
perhaps to be a way to indoctrinated new students into their art, and after
they were taught to move past them.
There was also a
movement on Okinawa that new kata could be crafted for a public adult version
of karate for health, akin to the Chinese using T’ai Chi (a most viscious art
in its own right). The Okinawan seniors even had 10 kata developed for this
purpose (they can be found in the Nakasone Karate Do Taiken). But WWII
intervened and all karate became less meaningful as 1/3 of Okinawans lost their
lives, and most of the Okinawan karate seniors.
Then after the
war interest in karate arose again, as they were in a depression, it was
something they could share. The seniors were no longer there to provide
guidance, and many things happened. Schools started adopting each other’s kata
in part. No doubt partially to have something in common.
Some schools did
not adopt the Pinan, some did, Some did not adopt the Naifanchi, some did.
Change has
always been a part of what Karate was about, however it was the instructor who
made the change in the past. Change continued to be the constant. Individual
instructors choose to use changes or not. Okinawan karate cannot be thought of
as one thing, It is many times many things.
Meanwhile on
Japan karate took on new flavors, some linked to the past, some not so much. A
very different karate.
But in 1972
America gave Okinawa back to Japan, and more and more Japanese practices
invaded Okinawan karate too. Roughly at the same period karate began a 2nd
disporia into the world, and of course many things continued to change.
Placing so much
of the coming change on the karate taught in the schools hardly describes what
occurred.
And of course a few words can not adequately describe
what took place.
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