Sherman Harrill maintained that the most important part of the study of Karate kata application potential was learning the underlying principles that could in turn be applied to any technique. I’d like to take the same approach to look at the art of countering locks and projections (techniques as used in the study of aikido and similar grappling arts), by sharing an underlying principle I’ve developed to train students.
The
odds are sometime an instructor used you to demonstrate a lock, you grab or
strike and they lock up your limb creating great pain that can be used to
direct you as they wish. At that point you might well wish you knew how to stop
them. Of course they didn’t teach you that.
To
explain this I’m going to begin with a very small example. There of course is not
one answer how to counter a lock or a projection. Factors like size, speed,
power, intensity, the force multipliers in play all combine to make many varied
attack possibilities to counter. I’m going to ask you to do the following with
a partner, at slow speed. This allows you to see the controlling factors and
understand how the lock disruption forms.
You
take your right hand and grab your partner’s right wrist (a cross hand grab).
They
take their left hand and press down on their right hand fingers and then grab
them and your wrist.
As
they do that your right hand fingers roll clockwise up alongside their wrist
(palm away from their wrist).
Rotate
your hand clockwise and then reach down to grab their wrist. This action bends
their wrist forming a wrist lock.. They do this they pull away from you,
straightening your arm and creating the lock.
That is the basic lock for this test. It can be formed with different openings, such as double wrist grabs to one arm, double wrist grabs to two arms and from strikes, but they require different dynamics to form the lock.
What
happened when they formed the lock, they drew your arm away from their body
alignment center line and the lock formation allowed them to shift their
center line alignment towards the locked area. This puts their center line
alignment in control, and when the pain begins their force is magnified because
of the force multiplier effect involved.
I’ve
described the lock exactly to the mid point of it’s formation. This is the
point a counter must take place, else the formed lock and the various force
multipliers in play (movement, knee release, etc.) magnify the effect to
increase the pain and the control.
A
lock (or a projection) is most vulnerable for counter at the mid-point of their
formation.
It is at the mid point of the lock formation that the counter must begin.
In
turn there are two basic answers.
●
First answer you can neutralize their control to stop their ability to form the
lock.
● Second answer you can counter their lock with your own lock at that point,
reversing their intended result back on themselves.
Lock
Neutralization
Let’s
start by neutralizing their control of the lock formation. Have them begin the
same lock to your grabbing hand a second time. The simplest answer is as they
begin to form the lock shift your arm/wrist 1” to the right. Where the first
time you moved directly into the lock, now they can’t form it and they are
stymied.
What
happened is your slight arm shift moved their lock attempt away from they’re
center line alignment. At the same time you did that, unknowingly, you shifted
your own center line on you wrist. That alignment shift placed you in control
and their lack of alignment no longer makes the lock work.
If
you think that sounds to simple, you’re both wrong and right.
You
should think of yourself as being in the middle of a sphere that forms exactly
at your range of touch. Your opponent is likewise in the middle of their own
sphere. A technique works if you and your attacker are correctly aligned. A
strike, a lock, a projection all work the same. Practice of a skill is actually
learning how to find the right alignment between you and your opponent’s sphere
to make things work. A strike to their midsection has far less effect if they
step or spin away at the time it is delivered because both your sphere’s of
influence are no longer aligned correctly.
In
your 2nd test if your partner is mobile when you shift they might slide
along till they get their lock alignment right and then reapply it for effect.
So simply moving the arm isn’t the total answer, though the principle of the
shift to disrupt their alignment is correct.
Now
you can use your own force multipliers to stop their reacquisition of that
lock. Simply have your left fingers lightly touch your arm (not grab your arm
or even touch your arm with power). If you do that even their shifting no
longer works.
What
that touch did was engage the left side of your body, cementing your own body
center line alignment on the locked wrist making it immobile. And you can have
some fun, just touch with your left hand little finger and they still can’t
make the lock, or you can cross your left arm, over and above the right arm (and
never touch) and it still works, for the body center line alignment is still
present.
Remember
this is a simple answer. Vastly stronger power or quicker speed are force
multipliers that might overcome your own efforts, still you might use your knee
release and drop your center creating another force multiplier increasing your
power.
Lock Reversals
When
the forming lock reaches the mid-point of it’s formation, there is another
possibility, that of reversing the lock.
At
the lock midpoint (previously described) on your right arm, take your left hand
and grab their right hand (your palm down) and start turning it
counter-clockwise. Pull your own right hand back across their finger tops and
then press your right palm down atop their back knuckles for a force multiplier
for an outer wrist turn projection.
This
is just one example of a reversal. Note that counter grabbing, shifting and
turning as well as the knee release doing so provide other force multipliers,
but the key player is using both your hands keeps your center line alignment
directly on the new lock, controlling the opponents center by the pain
involved.
Lock
reversal is a practiced skill and while we’re just using one simplified
example, takes work and practice to work a wide variety of locks. You should
practice a wider range of locks for reversal than you realistically expect to
face, just for a logical response in case something unexpected arises.
As
I started this is but a simple exercise in lock neutralization and/or reversal.
You
cannot expect that your counter will go unopposed. If you neutralize that
original wrist lock and if they keep trying to make it work, you can use that
left hand to respond with a strike to their head while they’re focused on the
busted lock.
A
skilled opponent may well have a very different counter-counter and if you’ve
only trained for the initial neutralization that can be used against you as
well.
A
Historical Lesson
I’m not an Aikido stylist, but most of the books I’ve seen on Aikido go into
the many variations of locks and projections studied and often how they can be
applied to a wide range of attacks. It is very, very rare to find them showing
counters to their techniques.
I’m
aware that Yoshikan and Tomiki aikido both have countering studies, but I’m of
the impression that is rare in most aikido. This was bolstered by an article I
read decades ago that explained that the last thing Usheiba Moriro (Aikido’s
founder) would teach instructors, he was sending out world wide to teach
aikido, were how to counter those lock and projections, so their new students
could no use the same techniques on themselves. Unfortunately I no longer have
that article, but it may be telling.
We
should take that a step further why the study of counters may not have been
central to Aikido, that being the pre-WWII Aikido was accompanied with Atemi
(vital point striking). I’m sure that’s a unique thought for karate, striking
someone hard. The use of Atemi made a less skilled Aikido stylist able to
perform the locks and projections with less chance of counter attack from their
opponent. Of course that possibility still exists today, and the precursor to
lock countering might be blocking or striking first.
Genesis
of this article
Actually
watching Patrick McCarthy share his arts with a local school several weeks ago
got me thinking on these skills and concepts I’ve acquired over the years. His
technique studies follow the 2 person set standard, start an attack, neutralize
it at the mid point and reverse it with another, which is neutralized and reversed
and so forth.
Among
those numerous techniques was one extremely painful lock I’d learned but never
thought about neutralizing. Patrick’s answer was new for me, but when I tried
it with my son the next week found his answer was in a form I’ve practiced for
30 years, and taught the initial movements to most of the young people I’ve
ever taught, but had never thought it applied to this painful lock. So a new
instant answer borrowed from another’s powerful teachings, using a movement
potential I had down cold.
Thoughtful
suggestion
Start such studies slow.
Learn how to make them work.
Practice to avoid excessive pain on your partner, unless you
expect them to impart the same level of pain on you in turn.
Build skill and speed and work hard.
1 comment:
It is time for a true story about countering locks.
I got this from Tristan Sutrisno that to counter a wrist wrap lock so they cannot move you all you have to do is move your wrist that is wrapped perhaps an inch away. What this does is move the intersection of you and your attackers bubble of motion breaking the perfect alignment needed to make the lock work. Of course this then allows time for your plan B. (in a theoretical perfect world)
As that time somewhere in the mid 1990s I had been working on that with my dan students. A counter for the lock.
Sometime after that Sherman Harrill was visiting with one of his amazing technique.
He selected John Dinger to show how whatever he was doing worked. And what he was showing how a movement concluded with a wrap of the opponent’s wrist with that wrist lock.
As he was doing the demonstration of the technique I noticed John looking at me with a questioning glance, for he remembered the counter. I nodded my head toward John indicating he should do the counter.
So John slightly moved his arm to the side, making it impossible for the lock to take hold and control John.
Sherman noticed his wrist wrap lock wasn’t working.
Then immediately he shifted to something else.
Of course knowing how to neutralize a lock, does not preclude that they will not do something else, if they have the presence of mind to see what happened.
The counter is possible but that does not mean your own job to stop the opponent is done.
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