https://www.youtube.com/watch?v=Wa1NqKYb_bg
Budo: The Art of Killing is a 1978 Japanese martial arts documentary created and produced by Hisao Masuda and financed by
The Arthur Davis Company. Considered a cult classic, the film is a compilation
of various Japanese martial art demonstrations by several famous Japanese
instructors such as Gozo Shioda, Taizaburo Nakamura and Teruo Hayashi. Martial arts featured
in the film include: karate, aikido, kendo, sumo, and judo among others. The only modern Japanese martial art not
featured in the film is kyūdō.[
Budo: The Art of Killing is a compilation of
various gendai budō each demonstrated by famous Japanese martial
artists from the late 1970s. The film treats its subject matter with deep
respect and demonstrates a great reverence for both Budō and Japanese culture
in general.
The film begins with Kunishirō Hayashi, reenacting seppuku,
the ritualistic form of suicide practiced by Japanese samurai during Feudal
Japan. This is followed by a demonstration of yabusame and
footage of a samurai cavalry battle. The narrator then explains the connection
between Budō and its universal symbol—the nihonto.
After a demonstration of the effectiveness of the Japanese sword, the audience
is shown the techniques developed by Okinawan farmers
to combat the sword. Karate-do master Teruo Hayashi then demonstrates Okinawan
weapon techniques. The film moves along with further footage of karate-do
including makiwara training
by Fujimoto (including the infamous shot of him striking a locomotive and
chopping a beer bottle) and a demonstration of the nunchaku by
Satoru Suzuki, a weapon made famous by Bruce Lee.
The film moves to footage of traditional Judo training such as
mat rolls, pole-hopping, bunny-hops, and practice of hip throws using rubber
bands tied around trees. The film moves on to discuss naginata-do,
a budō popular with female martial art practitioners in Japan. Aikido is then
demonstrated by Gozo Shioda, the founder of Yoshinkan aikido
interspersed with shots of leaves falling into a brook. To emphasize the film's
theme of "mind and body are one in Budo" the viewer is shown Shinto practitioners fire walking.
The film then shows training in a sumo stable with rikishi Takamiyama,
where the training shown is both tough and cruel. Scenes of young people
practicing kobudo on the beach follow the sumo demonstration as the narrator
discusses the succession of Budō to younger generations.
The film explains the importance of kata with Teruo
Hayashi demonstrating more karate-do kumite. The narrator explains, "...
karate training can be both severe and cruel, yet a sword can take away a life
with one swing." The film shifts its focus to sword arts with
demonstrations of iaido, tameshigiri and
kendo by Shuji Matsushita and Tomoo Koide as the narrator discusses the fear
instilled by the Japanese sword. The "limitless" connection
between Zen Buddhism and Budō is discussed with
Shuji Matsushita on the receiving end of a strike from an abbot's kyosaku while
in zazen.
This is followed by a highlight of the film in which Taizaburo Nakamura
demonstrating various sword cuts including a shot filmed in slo-motion showing
the shocking speed in which a Japanese sword can behead a man (1/100 of a
second). Continuing with a focus on the sword, the film shows the art of
traditional nihonto forging by swordsmith Amada Akitsugu, considered a national
living treasure in Japan. Budo: The Art of Killing concludes
with scenes of Noh as
the narrator explains, "As long as the universal truths of heaven, the
earth and man remain, the spirit of Budo shall endure."
·
From
Wikipedia
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