Sunday, November 12, 2017

Enter Stage Right, Exit Stage Left


 
 To fully understand this story, you need to understand an old device used in classical Greek Theater. When a play grew so complex that no rational answer could be found to resolve whatever tragedy was taking place, the author of the play always could resort to ‘Deus Ex Machina’, which translated roughly as God in a Machine.
 
In those plays they would employ a type of crane to lift a ‘god’ onto the stage, and that ‘god’ would use their powers to then set things right, providing a happy ending to a tragedy.
 
Not just in classical Greek theater, for one Shakespeare used that idea in Hamlet, where the Prince of Denmark shows up at the end and sets things right. Even unto today’s movies, where someone just shows up and resolves things.
 
HG Wells used in in War of the Worlds, where germs saved the day. JRR Tolkien used it when the Eagles would show up and set things right in the Hobbit and Lord of the Rings. Everything that was old is new again.
 
So, this is an example of Deus Ex Machina in my own life story.
 
I had moved to Scranton Pa. for work. I entering banking and Maureen becoming a Swim Coach. Not being from there I also knew no one except my wife, and that was fine. Unfortunately I had to leave my Isshinryu behind, and I had just made my green belt.
 
Several months later my wife heard of a Tang Soo Do school nearby where we were living.
 
It was not Isshinryu, but it was a hard workout, so I signed a two year contract to train and started over as a white belt. Because of my previous training, not because of my knowledge of that art, in a few month I jumped during my first testing from 10th white to 5th green in that art. The next spring I competed in a tournament they sponsored and had my successes there too. At the same time I privately continued studying the Isshinryu I had learned.
 
Then that summer on my vacation, I returned to Salisbury for training and to finish learning Chinto kata.
 
Later that summer I tested in Tang Soo and earned my 3rd red belt there.
 
Then the crane of life lifted my own Deus Ex Machina into my life and provide a most happy ending, so to speak.
 
It began with a phone call that Labor Day Weekend, Maureen let me know I had a phone call, I was visiting my neighbor at the time. I answered the phone to discover it was Charles Murray, he was informing me that he had taken a Church to be the pastor, near Scranton, and would I be interested in getting together and train sometime.

Before he could hang up, I was over at his parsonage, telling him I was ready to return to Isshinryu. (not that things were bad in Tang Soo Do, just that personally Isshinryu meant way more to me.).
 
Long story short we began working out together, read I became his favorite practice target. He was way above me on the Isshinryu food scale, and when we sparred (and we always sparred) I could not even touch him on my best day.). A lot of sweat followed.
 
My contract was still in force, so I continued to train in Tang Soo Do twice a week, and their training did a lot for my kicks) but my heart was in the workouts with Charles.
 
After he watched what I had, he told me to keep the kata I had learned in Salisbury as I had been shown, and my new kata studies would be in his way. (Note- over the years what Mr. Lewis taught was not steady state Isshinryu, but many different versions with small variations. Depending on when one trained, there were differences in kata. But Lewis Sensei  was only concerned with how you got better with the version you did. That your Isshinryu would kick butt (my words). And many of the black belts who taught me, would be using different variations on kata, from my beginning. You had to remember and execute those kata their way when they were teaching. For example Seisan was not one kata, but maybe 5 kata, when I was a beginner.)
 
Charlie set a swift pace, almost a new kata every month, and lots of sparring. And I was continuing my Tang Soo Do studies at the same time.
 
It was the best of times, I was being pushed.
 
In no time I was both a Brown Belt in Isshinryu and a Red Belt in Tang Soo Do at the same time. But by that next summer that was causing some conflict. Perhaps I felt I might reach Black Belt in Isshinryu and Blue Belt in Tang So Do at the same time.
 
However the arts were also very different. The Isshinryu I had studied, was full body contact sparring, where the TSD was no contact sparring, even with protective gear. And I drew criticsm for making slight mistakes and ko’ing my opponent, or striking too hard knocking then down, or using ground kicking attacks Charles was teaching me were those I sparred in TSD had no defense for them.
 
The conflict continued when that next summer I returned to Salisbury again on vacation, to let Mr. Lewis see my progress. What he told Charles, was I was not sparring intensely enough.
 
The conflict between the two different ways of training was holding me back, My school contract in TSD was up and I  choose to depart from that training, I had learned a great deal that would always remain with me, but I decided to part ways. I explained why I was leaving to my TSD instructor and just trained with Charles thereafter.
 
And train we did, continuously. We trained at midnight, on Bank Holidays, in Blizzards, you name it.
 
 
 

And before I knew it he took me to Salisbury and the whole IKC association, Mr Lewis and guest Harold Mitchum tested me one Saturday evening in January, 1979.
 

I made my black belt (and yes I slept with it under my pillow that first night.)
 
On the drive back to Scranton Charles asked me: “Victor, if you are in a plane that is crashing, what good is your black belt going to be.” I gave a response, something like I would just jump into Sanchin and punch on the moment of impact negating the force of the crash. I cute answer, but I was a long term question I retained.
 
So I was a black belt, and Charles continued to push kobudo kata into me.
 
Then one day the crane began to lift him away from me.
 
“Victor I have something to tell you, for personal reasons I have decided to return to the USAF and enter officer training.”
 
Of course I was stunned, and this would occur in two weeks time.
 
We continued our training, and he began to teach me the only Isshinryu Bo form, Shi Shi No Kon.
 
That last day came, he and his wife were packing up their things. I came over and he came outside in the back yard to show me some more of the form I was learning.
 
It was a sunny day, at the same time lines of thunder clouds and storms were passing through the region.
 

It began raining and he went back inside to pack.
 
I remained out there, practicing the form,  pouring rain, lightning and thunder all around.
I paid no attention to any of them.
 
Then it stopped raining, and I Charles looked outside his window and saw me practice what I was shown. So he came out and showed me some more.
 
Repeat:
 
It began raining and he went back inside to pack.
 
I remained out there, practicing the form,  pouring rain, lightning and thunder all around.
I paid no attention to any of them.
 
Then it stopped raining, and I Charles looked outside his window and saw me practice what I was shown. So he came out and showed me some more.
 
Repeat several more times.
 
Finally I finished being shown Shi Shi No Kon No Dai.
 
About that time Charles had to say farewell. For it was time to finish packing and then leave for Florida.
 
I remember that time very well, burned in to my mind.
 
The Deux Ex Machina having solved my needs was lifted away. (Ok I am pushing this a bit, but it fits.)
 
I went back home to practice, Practice was the one eternal thing I experienced.
 
Then for years we only saw each other irregularly, but for us it was as if no time had passed.
 
I followed my dreams in Isshinryu, he rose to eventually become a Colonel in the USAF.
 
We remain the best of friends.
 
He was my Deus Ex Machina in every way.
 
 

Saturday, November 11, 2017

The Rule for Senior Rank



I often felt the better rule regarding senior rank should be.
 
"If anyone remembers who you were 25 years after death, why then you must have been a Master, if anyone remembers who you were 50 years after death, why then you must have been a Grand Master. For other titles follow the same rule."
 
I for one have no desire to learn if I am any of them, rather prefer to keep living.
 

An issue of Alignment



Karate has changed a great deal to me over the years.
 
Originally it followed a very different, good paradigm, Among things, hard body conditioning, lots of kata study, lots of kumite, and lot’s of open tournaments in those days.
 
As a new black belt I often was called to judge forms I had not studies at open tournaments, It did get confusing. As a corollary seeking places to train and work out, I trained in many schools, Kung Fu, Shotokan, Shorin Ryu, Goju Ryu, Washin Ryu and many others, learning lots of forms during those training sessions, and remembering them as I was taught being a black belt means you don’t say I can’t.
 
In time, I often had knowledge of what I was judging.
 
At that time as much as I did not know there was a difference between Okinawan karate, and Japanese Karate, I also was unaware at how many subdivisions there were in Shotokan, Goju Ryu, Shorin Ryu and others. But I was somewhat informed.

Among things I found many judges would give higher scores to poor kung fu performances, probably on the belief not spoken but felt, that kung fu must be stronger than karate, and scores should be given accordingly. Not so much in black belt divisions where there was a different dynamic among those few giving scores. But that is a whole other story.
 
What threw me most was how to judge those custom built forms showcasing individual strengths? I am sure I gave many improper scores.
 
Then late one night my Tai Chi/Kung Fu instructor  gave me private instruction, totally tearing my tai chi form down after 15 years of practice and work Literally hundreds of corrections. Then he explained what I was doing wrong, just with a slight touch again and again that left me floundering each time. He then showed me what I was doing wrong and how to correct it, and a tool to use to do so, that slight touch. It was using correct energy point alignment.
 


Without going into the details at this time, later I quickly discovered the same thing worked with my students karate (and my own), where if they were incorrect the slightest touch would make them fall.
 
It caused a lot of cleaning up to take place, and a superior tool for class. And the thing was, it wasn’t magic, just doing the kata properly as originally shown (for the school involved).
 

But at that time I also discovered that energy point misalignment was a perfect place to attack, a weakness to be exploited.
 
By extension a way to judge anything, even when the system is unknown.
 
Every stance, form, etc. has a stronger alignment, where that touch will not destabilize the performer.
 
The better form a performer does, the higher their score should be, as they are making fewer possibly fatal mistakes.
 
The more flaws in their alignment, the lower their score should be, at they are making more possibly fatal mistakes.
 
I had discontinued tournament attendance and judging, but went a few times to watch and I stand by this opinion. Those custom built forms showing the performers strengths, most often also had dead moments where poor alignment was present. Where a simple touch could down them, I now had a method to know what I was awarding.
  
However, I was no longer interesting in judging anybody, just developing my karate and my students further.
 


Wednesday, November 8, 2017

What is the sound of two white belts fighting?

As time passes, you learn the answer.

What is the sound of two white belts fighting?


 
Pain magnified!

Something I have experienced when I was a white belt, and seen and heard too many times, but apparently no one has shared photographs of the same. Likely because it would be bad for business. 

But white belts trying to be more, launching simultaneous round kicks, then smashing shins into each other, never to be forgotten!

Tuesday, November 7, 2017

Use of the Crescent Step



When I began to get serious about my study of kata application potential,
I spent much time looking at many
of the unlikely movements in kata.
 
One day I thought about the differences of stepping between different Isshinryu groups.
 
Some just stepped out straight,
Some used a combination of straight stepping and the crescent step.
Some just used the crescent step when moving.
 
I thought about this long and hard,
And 20 years after I began could only recall being shown to use the crescent step.
 
The closer I looked, the more I saw.

 
The use of the crescent step was a force multiplier,
Allowing you to use the compression into your centerline,
Then the explosion of stepping out from the centerline,
Exploding, expanding your energy into your techniques.

 
It also allowed you to use your kata technique in a new way,
Attacking targets on your opponents lower body.

 
There is more, but enough for now.
 
So I made sure the only method of stepping we would use was the Crescent Step.
It became an obsession.
 
Here are some of the reasons why.
 
 

 
Use of the Crescent step
 
1. stepping – on top of opponents foot / stomping
 
 
2. stepping – hooking behind on the interior line of defense

 
3. stepping – hooking behind on the exterior line of defense


 
4. stepping – stepping on the opponents instep



 
5. stepping – hurried stomping on the opponents instep


 
6. stepping – sweep



 
2. stepping – inner knee check/thrust
This might where the use of stepping was also a form of kicking,
Such as used in Chinese Tam Tuie.




There is a lot to consider,
These illustrations are just several of the possibilities.


Targets for stepping
 
 
 
1) Thigh, mid to lower, lateral part (Fukuto) – causes severe pain, muscle cramping in thigh, pain in lower abdomen and loss of leg motor function.

2) Fibula, Middle (Kokutsu) – central lower leg on the front of leg. Causes severe pain (fibular nerve) and loss of posture.

3) Soleus Muscle, lower part (Kusanagi) – lower part of calf muscle. Trauma to the tibial artery and nerve, also producing pain in abdominal and hip regions. Causes loss of motor function.

4) Lower Inside of Fibia – causes severe leg pain.

5) Medial Malleolus (uchikurobushi) – Point just below the ankle bone. Causes trauma to tibial artery, pain in the hip area leading to loss of motor function.

6) Instep (Kori) – Point is on top of foot between temdons of big toe and 2nd toe. Causes pain in leg, hip & abdomen, with loss of motor function.

7) Foot, top of (Soin) – Point on lateral side of foot, about 3 inches behind and central of small and 4th toes. Causes pain and loss of consciousness.

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