I was already a Sho Dan in Isshinryu when I saw a
new school was opening in Scranton, It was a branch of the Shaolin School of
Ernie Rothrock.
What interested me most, was he was also offering
instruction
in Yang Tai Chi Chaun.
Something I had been interested in since my college
days.
I attended his opening demonstration, saw his tai
chi, and after approached him to see if I could be a student.
He said sure, it would be $7.50 a ½ hour class a
week.
Thus I began with him.
The first class I was shown some simple warm-up
exercises, then I was taught a standing drill, the holding lute position, and
made to stand in the position until one muscle in the middle of my rear leg
quadriceps began to cramp, of course it was a very short time at that.
After that we went over tai chi stepping,
and a small portion of the first row of the tai chi
form.
Then week after week it continued. I would be there
before class to do the warm up drills, then class would begin and another small
piece of that first row would be covered.
The instruction did not worry about names for what
we were doing, just hands on correction of what I was doing or being shown.
For the most part, the instruction was non-verbal.
I persevered and class continued. It was really
private instruction, for I was the only student.
One evening I came home after class and discovered
my instructor, Charles Murray, was in town on a leave from the USAF, visiting
his wife’s family.
The discussion that ensued finally got around to
describing my tai chi studies with a small demonstration of what I knew. About
1/3 of the first row.
I stood up and began doing my form before Charles.
When he asked me to stop then repeat what I was doing.
So I did so.
When I finished he spoke.
“Victor, when you did that movement, where your arm
swept across and in front of your body, I felt a wave of energy sweep across my
face, then when I had you repeat it I felt the same thing.”
“I have been working on Chinkuchi in my own
practice, you remember I described it to you when we were training together, I
think that made me sensitive to your movements.”
I had no answer, I was just a student at that time.
I would just note Charles and I shared that
experience together.
So week by week my lessons continued.
Eventually I completed the first of the six rows of
the Yang form.
Believing I had made some progress I was waiting for
the 2nd row to begin.
But then Ernie told me, not so fast,
For I had to learn the first row two more times,
with different lessons.
I had thought the first row was challenging, knowing
karate did not give me any advantage to learn these movements.
But these lessons would teach me that I had a lot to
learn.
Ernie explained that the first row which I had
learned was only the beginning of the movements.
The next time I would learn the first row a
different way, with head movements, as my eyes followed a moving point just
before my hands.
In no time I was falling all over the place, for I
learned a real lesson.
Much of our balance involved keeping our head
stable, and when the head began rolling around so your eyes could follow that
point,
you had to learn a new balance, one based on your
core.
Slowly, move by move, the lessons continued,
and eventually I completed the first row for the
second set of lessons.
Now a new lesson. I would continue to do the first
row, basic movements and the head and eye coordination which I had learned.
But the third lesson was to learn the Yang Tai Chi
breathing pattern.
And it would be move by move, step by step.
And it would be move by move, step by step.
Which of course I made a new discovery, I again
continually lost my balance, falling out of
stance continually.
I was learning another lesson,
we rely on the sound of our own breath to assist in
finding our own balance.
Not the breathing pattern of the Yang form, was
robbing us of our normal reliance on breathing to form our balance.
This meant you had to work to find your balance in
your own core.
Internalizing it.
No longer to rely on your sight of hearing.
--
So many
lessons I never expected, And now I was to continue the focus on the moving
point, and the tai chi breathing practice on the remaining studies.
I am no longer sure of the exact time this practice
began, but the day then came when Ernie began me on the single push hands
drill.
This is where your hands touch at the back of the
wrist, one hand pushing with the palm at the wrist, the other person receiving
that pusn, buth hands making a circular motion ending before the chest, where
the receiver is to deflect the attack and then press with his own palm into
that other wrist.
At first you are both just moving your hands in a
circle.
Then with time when you receive the push you learn
to shift your hand into a palm deflection to grab their arm and unbalance them.
Unless both of you neutralize each other and
continue the circling.
You eventually learn that the timing of your hip
role has a big component of what your hands do.
Another little trick, if you neutralize their push,
you then can continue the circling using a bigger circle this time, making the
counter easier on the next larger circle of motion.
This drill is to begin to develop the use of tai chi
against an opponent.
I realize now with my karate background, that I must
have been as much fun to teach as pushing around a bag of wet cement.
So I learned the 2nd row. All the time with warm up drills, stepping
practice, standing still and holding lute. And accompanying single stationery
push hand practice. It was getting
involved.
About this time I also started to perform the single
push hands drill stepping inward and backward, No longer stationary it began to
resemble a martial drill, especially when you consider you were attempting to unbalance your
partner.
Then the 3rd row.
Another different set of movements. Different difficulties.
And another drill, this time double stationary push
hands.
This drill used the pull, press, deflect motion in 4
parts to also be a partner drill to learn how to read when your partner applied
too much pressure and then to use that pressure to upset them, so to speak.
This was a more martial practice, yet nothing like
practical sparring.
Expecting to move onto the last 3 sections, I found
instead something else was to be learned.
I had to learn a Tai Chi straight sword set.
Essentially the first row of the Yang form was done
with sword techniques, then a second row was begun, returning down the original
path, with very circular sword techniques.
I believe this was the hardest thing I have ever
attempted, for the only thing you could rely on to control the sword movements
was your hand and wrist, to express your control out to the tip of the sword.
Not easy, and it time it never got easier.
But I got through it and eventually studies rows 4,
5 and 6. Everything did build atop each thing I practiced.
The double push hands drill also revealed new
aspects.
It was done moving forward and backward,
Then done while stepping forward and backward with
turning.
It became quite the practice.
I found out I was only the 2nd person who
had trained with him to learn the entire form.
Two years after I began the study, I completed, that
portion.
Very soon Ernie had to move across Pennsylvania to
take over one of his students schools in Pittsburgh.
My practice was now my own responsibility.
When possible I did travel to Pittsburgh to train
with him,
But most of those studies were on other arts, for a
time into my tai chi study I began to study other arts with him, in order to
become a knowledgeable judge (my own priorty). No doubt the stances I used in
those forms also improved my flexubility and my tai chi.
I always worked my sword, but when in Pittsburgh I
worked hard not to show him where I was, I was dissatisfied with my study of
sword.
So work, work work.
Then I moved to New Hampshire and practice
continued.
I
am sure by this point you are asking
yourself what this has to do with Kararte. That comes later, first you need
to understand what I mean by Tai Chi, and this is a start. During this decade
or so, the practice of Tai Chi was
separate from my karate practice. The inter-twining of these arts comes later.
Part
Two to eventually follow.
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