The only Chart 1 and Chart 2 I have used are the ones I
originally learned in the Salisbury Dojo of Tom Lewis. I never trained with
anyone outside of Lewis Sensei's organization in Isshinryu on the charts by what I was originally shown. Never
attempted to learn any other versions from movies or YouTube,
‘But now thinking on the underlying principles that are
shown on Chart 1, I can see some other
possibilities that would be useful for dan training. I see no value
showing them to kyu students, they have enough to do with the original
versions. But considering some flex about the underlying principles makes them
quite credible dan training drills
Original Upper Body Combinations
Original Upper Body Combinations
- RFF
Right Punch
- RFF
Right Uppercut
- LFF
Right Punch
- LFF
Right Uppercut
- RFB Left Low Block, Right Punch
- RFB Left Side Block, Right Punch
- RFB Left Arm Block, Right Spear
- RFB Left High Block, Right Punch
- RFB Left Open Hand Block, Right Uppercut
- RFB Left Bridge Strike (Nose), Right Punch
- LFF Left Low Block 5 Punches
- LFF Left Side Block 5 Punches
- LFF Right Roundhouse Punch, Left (Same)
- LFF Left Open Low Block, Right Shuto
- Break Bear Hug
Note that this does not attempt to address everything
possible. For example many Isshinryu (and I am one) first parry the strike with
my right palm setting up the following left side block, then the right hand
chambers before the strike. This is just one example of things to consider
Now consider a basic analysis of the principles in use.
I.
The first set of principles show Interior Basic Attack moving into the attacker.
II.
The second set of principles show Interior Counter attack moving away from the
attacker
III.
The third set of principles show Interior Attack Overload moving into the
attacker.
IV.
The fourth set of principles show more Complex Attack moving into the
attacker.
V.
The fifth set of principles show Rearward defense from an attack from the rear.
.
While these are extremely valid use of basic techniques, they are at the same time limiting other useful principles. For one thing the idea of counterattack does not mean they are done with two beats, instead they could be simultaneous block-strikes while moving away. Nor does the idea of a block limit the use of the block from being a strike and in effect a double striking combination. Those are also practices that should be considered in practice.
While these are extremely valid use of basic techniques, they are at the same time limiting other useful principles. For one thing the idea of counterattack does not mean they are done with two beats, instead they could be simultaneous block-strikes while moving away. Nor does the idea of a block limit the use of the block from being a strike and in effect a double striking combination. Those are also practices that should be considered in practice.
But the thing I notice is that
they are done straight in or straight backward from the attack. Where a more
advanced principle of defense is not being practiced.
Another
set or drills seems called for. A set of the first 14 not changed just first a
shift to the side when the attack is initiated and then performed on a 45 Degree Angle across the attack.
Another
potential to explore is the Attack
Overload, where so many strikes are thrown that
sooner or later one scores to eliminate the threat. Consider again striking on
the 45 Degree Angle. Tom Lewis demonstrated a different version, where
the strikes work the centerline down the body. While theoretically possible to
block them, in reality extremely difficult.
1.
RFF Moving forward on a
45 degree angle of attack Right Punch
2.
RFF Moving forward on a
45 degree angle of attack Right Uppercut
3.
LFF Moving forward on a
45 degree angle of attack Right Punch
4.
RFF Moving forward on a
45 degree angle of attack Right Uppercut
5.
RFB Shift to the side
and then counter on a 45 degree angle with Left Low Block, Right Punch
6.
RFB Shift to the side
and then counter on a 45 degree angle with Left Side Block, Right Punch
7.
RFB Shift to the side
and then counter on a 45 degree angle with Left Arm Block, Right Spear
8.
RFB Shift to the side
and then counter on a 45 degree angle with Left High Block, Right Punch
9.
RFB Shift to the side
and then counter on a 45 degree angle with Left Open Hand Block, Right Uppercut
10.
RFB Shift to the side
and then counter on a 45 degree angle with Left Bridge Strike (Nose), Right
Punch
11.
LFF Shift to the side and then counter on a 45 degree angle
with Left Low Block 5 Punches
12.
LFF Shift to the side and then counter on a 45 degree angle
with Left Side Block 5 Punches
13.
LFF Shift to the side and then counter on a 45 degree angle
with Right Roundhouse Punch, Left (Same) The
strikes can be delivered at an angle.
13+ 45 Degree
Angle. Tom Lewis demonstrated a different
version, where the strikes work the centerline
down the body. While theoretically possible to block them, in reality extremely difficult.
14++ 45 Degree Angle. Tom Lewis
demonstrated a different version, where the strikes work the center line down
the body. Strike to the throat, the solar plexus and the groin of into the
thigh While theoretically possible to block them, in reality extremely
difficult.
14.
LFF Shift to the side and then counter on a 45 degree angle
with Left Open Low Block, Right Shuto The
strikes can be delivered at an angle
15.
Break Bear Hug
One option to consider is the way
Sherman Harrill used the left arm/hand to first touch the attacker’s arm,
leading their mind, distracting them to weaken their grip and then striking
back with the other arm elbow.
There are
of course many variable targets for thse ‘blocks; and ‘strikes’. Do not limit yourself to just one
option.
Other possibilities exist.
One should consider you might make
a mistake, for that is the constant in life.
Consider when you step forward
with No. 6 RFB Left Side Block, Right Punch .
Upi step outside of the strike, placing yourself in the Exterior Line of Defense.
In such a case you just raise your
left open hand, the one you cross before a block. That motion deflects the
strike away from your centerline as the arm raises.
From there you deliver your left
outside block to slide along the Exterior of their arm. As this occurs your
right hand chambers.
Then if they are stepping forward
with the right foot, you punch down into their upper thigh muscle into the bone
to drop them
Or if they are stepping forward
with their left foot they you can punch into their lower abdomen, Alternatively
into their right of left hip at the joint formed where their leg joins the hip,
on even into their groin.
This is but one set of
possibilities. It is just the simplicity of Chart One does not stop you from
developing other training possibilities.
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