A very long time ago when I was training with Tristan Sutrisno and learning a bit about his arts Sutrisno family Shotokan, Aikido, Tjimande and Kobudo, he used to spend much time with telling stories about his father.
His
father was an Indonesian doctor and back in the mid 1930 when Indonesia was
under Japanese control, he was drafted to serve as a doctor in the Japaese
navy. That meant he had to attend the Japanese Naval War College and while
studying there he studied Shotokan under
Funakoshi and Aikido under one
of Usheiba[‘s students. He had also studied his family version of Tjimande as
well as a variety of Kobudo.
His
father began his training when he was
age 4 with Tjimande basics. However his father did not directly train him in Shotokan,
rather it was his father’s senior students who did that, working to do so out
of respect for his father.
He
told me many stories about his father.
1, One of them was
that his father was often invited to give clinics for a variety of other schools.
Everyone always wanted the best stuff and his father always gave that to those
in attendance. But his style of teaching the was ‘the technique of no technique’ He
showed them one move after another, over and over and over. They were shown
material so quickly the average person could not retain what was shown. In
realiy he was giving nothing away.
Tris
had decided to share some examples of his 3rd and 4th
level bunkai from several of the Heian kata. Those bunkai were throwing and
takedown techniques. What he did was he would demonstrate a technique only
once. Then go around watching what everyone was doing. Most times they were
doing something different from what he had shown.. Then he would work to
correct whatever they were doing. After that on to the text technique and again
and again.
What
he was really doing was teaching me for he knew I would remember them. What he
worked at was what the students there actually worked on.
That
was the only time he employed the technique of no technique for my students. He
worked with them at times for years after that.
Many
years later a friend held a weekend
clinic with Dan Insanto. A continual group of clinics. I choose to attend the
one on Saturday afternoon on empty hand defense against a knife. It was
interesting, but what he did was employ the
technique of no technique throughout the clinic. Every 3 minutes he did another
technique. Over and over again he kept changing techniques. And non of those
attending could remember them. The exception was a group of his own students
from Princeton, it became an exercise in remembering all of them. I am not a
superhuman, but I owned and read his book on the Phillipean Arts. Almost all of
what was shown was in there. I did not go back and teach empty hand against the
knife. But I acquired much knowledge about who Dan Insanto was.
2. Another time
Tristan described how his father taught
a clinic. He would pick someone he did not know from the audience of attendees.
Someone who was large and powerful. Then he would ask that individual to attack
him with vigor, and when they did so employ the technique he was teaching and immediately
drop them to the floor like a rock. When everyone saw him do that, everyone immediately
Again
quite a few years later I was again making a friendly visit to a large school
just to work out with someone. I was requested to take the class. Now when
asked to share at other schools I almost never shared Isshinryu, as my art was
too personal as how I would teach it. But I had a large group of techniques
from other arts I had studied, Technique I knew everyone would find interesting.
So here I was teaching to a large group of black belts I really did not know.
But remembering that story I knew what to do.
I
selected the largest. Strongest student from that group and then asked him to
attack me vigorously. He did so and I applied that technique, immediately
dropping him like a rock. Everyone having seen me do that, they were very
attentive and easy to work with after that.
It
never hurts to pay attention to when someone tells you stories.
No comments:
Post a Comment