I am far from an expert but I have experienced a few things about the formation of the t’ai chi palm. Remember there are likely thousands of different versions of t’ai chi forms over the years. But this came about from my journey.
I
began my study of the Yang Long Fist T’ai Chi Chaun form starting in 1979. I
had weekly lessons that lasted for two years. I learnt the form, a short
version of his t’ai chi sword form, pushing hands and a bit more.
Then
my lessons concluded but not my study or practiced. That continued for
evermore.
These
are a few screen shots of the form I studied with Ernest.
In
time he moved to Pittsburgh and our time to train in t’ai chi grew less
frequent.
One
day were attending a clinic at a friends school and he and I did the first 3
sections of the form together, We had not practiced together for many years but
our forms were very close, of course his was much better.
A
few years later I even competed, for fun, with a short version of the form he
and I crafted.
One
day after 15 years, at a summer camp both he and I were doing presentations at,
he took me out alone to a field and had me perform my form. He almost as I began
stopped me, and gave dozens of corrections. I felt very inadequate. However he
then explained what I was doing wrong, the core issue. And in turn explained
why I needed better energy point alignment. Something his instructor also did
to him also after 15 years of work.
That
had a profound issue for me, for I saw why change occurred and more importantly
a template to correct it. I realized it equally applied for any technique, t’ai
chi, karate I was familiar with and karate I was not familiar with. What you
neede to do is exactly what you were originally shown, but now you could show
why that was necessary.
That
became a whole other issue.
Around
1999 I began my own small tai chi class. Finding out so much more about my
practice while I was teaching it.
Sometime
later I ran across an article in Inside Tai Chi magazine where the instructor
described a different hand formation for the palm than I had been shown. In it
the outer two fingers were kept more straight and the inner two fingers were
bent forming the palm.
I
do not have the article but I have taken these two photos to try and describe
it, Of course these photos to not do the idea justice.
This
is another thing I worked on at times.
I
discovered the palm felt different, perhaps more alive would be a more accurate
description.
Many
more years passed, at urging of his Eagle Claw instructor, Shum Leung, Ernie
got into the Wu system and grew quite skilled.
The
day came when on a visit to New Hampshire he decided I should learn the Wu Slow
Form, the Teaching Form. In essence the form is more akin to the Yang Form. The
difference to the Wu Fast Form where the movement are done smaller and more
compressed (Just my opinion).
I
am likely not describing it correctly as I am nothing like an expert.
So
Ernie started to give me the 5 lessons, As I already knew the Yang version
format and had a copy of Shum’s book on the form, he knowing how I remembered
things, felt I could give it a go.
And that first lesson also proved painful. Holding the Play Guitar section one again meant one strand of muscle in my Quadriceps would be pulled.
Over
the next few years he covered the rest of the form, and it was 5 lessons.
Never
filmed the form, here is a photo of the form palm from the internet.
After
so many years my T’ai Chi group moved on and again I was practicing Sundays on
my driveway alone. I kept up the practice.
One
discovery is that the Wu palm formation had an impact of my Yang Palm too. It
made me feel it was more correct. Words
are inadequate to describe what I was feeling.
Eventually
I set aside the Wu form .I began to realize I had no need of two forms. I had
been doing the Yang form longer, and it was sufficient for my own practice.
Of
course life throws you curve balls. My onset of my various disabilits left me
weaker and far less balance. I literally could not do the stepping required by
my Yang form.
It
took me a year and I worked out a way to replace the stepping with a form of
swaying.
And
these days I still work at my form, or a piece of it.
I
also work on my palm formations keeping finding my discoveries still hold
water.
I
only have what I have experienced, hoping one day to understand more.
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