Charles,
Taking the opening movement of Kusanku, I have an
entire range of possible applications. That and the fact Sherman clearly shows
one he saw on YouTube Sherman Harrill Bunkai. I also show an Okinawan Motobu-Ryu
individual showing the same entry. So obviously there are those on Okinawa in
other systems who can use those movements too. Note I also have a surprise
ending.
Victor
There was an
interesting discussion about whether there was bunkai for the opening movements
of Kusanku kata. Apparently this was not taught so by Shimabuku Sensei nor by
Nakazato Joen of Shorinryu, both of them students of Kyan Chotoku.
According
to AJ Advincula “The opening move “〇” of Kūsankū kata symbolizes Heaven and
Earth and Man meaning World Peace. There is no combat
bunkai for this move. It represents, Karate ni sente nashi (空手に先手なし),
There is No First Attack in Karate.”
Nkazato
Joen (1922~2010) of Shorinji-ryu, studied with Kyan Chotoku.The opening move “〇” of Kūsankū
kata symbolizes Sansai (三才)
Heaven and Earth and Man meaning World Peace. There is no combat bunkai for
this move as It represents, Karate ni sente nashi (空手に先手なし), There is No
First Attack in Karate.
No doubt that is what they taught.
But
there are many paradigm for the way Isshinryu was transmitted.
And
I have experienced several which were also effective.
Thus
I began thinking while I was a passenger on my trip across America for 2,800
miles to Arizona.
When
I began my study the word ‘bunkai’ was not in use. Neither from my instructors
or among the many schools I visited to have someplace to train. Neither did
anyone discuss it as a possibility at tournaments, in discussions.
From
the variety of Karate magazines I read, neither was it mentioned then, But I did notice that Okinawan
instructors did use sections of their kata to demonstrate how they would apply
karate against an attacker. Even Okinawan Isshinryu instructors would do this.
Then
beginning in 1980, I started visiting a
fellow competitor, Tristan Sutrisno, and among the many interesting things I
was seeing, I learned the word ‘bunkai’ and how it was used in his tradition.
(time wise, this was before Oyata Sensei began appearing the magazines. His
family use of the term, was quite different from how the word Bunkai was to be
used by many,
‘Bunkai’
was not a kyu study, their existence not hidden from them, rather they had much
to work on outside of ‘bunkai’. ‘Bunkai’ was a dan study, where each movement
point of a kata had a different sequence of applications, then as dan study
moved forward, for the same movement points in those kata, an entirely
different ‘bunkai’ was studied. You could not anticipate what the application
would be, from viewing the kata. Those sequences were in effect a mnemonic
device to remember those application studies.
The
techniques were explosive and covered an entire range of uses.
Not
the same dimension of movement, but somewhat resembling the Shito Ryu use of
‘kakushite’ or hidden hand. Interestingly this idea was suggested by , a student of Itosu, in his 1938
explanation of how kata technique could be used.
As
this ‘bunkai’ explanation was the first I learned this is what the term means
to me. And as I have viewed how different people show what they refer as bunkai, around the world,
it remains unique from what others so.
Not
that I have a problem with what anyone does. I believe all of it serves various
purposes. Just not the same purpose.
I
have watched the term bunkai take on many meanings. Not necessarily the same as
was originally shown by Mabuni Sensei in 1934.
But
the idea has become a ‘charged’ work IMO, and for clarity I prefer to call the
quest the look for ‘Application Potential’ and then the greater study to make
that potential work a different term ‘Application Realization’.
Funny
how people don’t talk about the training involved to really use those
Application Potentials. That is the deeper study in Karate, not just what can
be done.
Essentially
kata is movement. And all movement has the potential to be used to end an
attack. That some potentials are not explored, is a personal choice, one that
does not make the potential go away.
The
larger study is how to enter an attack to use that potential, How to use
various force multipliers (such as knee release, waist movement, etc.) to
create maximum effectiveness. Such things are necessary, not just realizing the
potential exists.
In
theory it is simple, if use of a movement make the opponent fall down and go
boom, the potential exists. Whether one has the training to use that potential
is a different problem.
I
was fortunate to have spent some time training with the late Sherman Harrill.
He spent over 40 years exploring those potentials. Those meetings inspired me
even more for my own explorations.
Application
Potential, Application Realization, those who can Do.
Several plausible uses for Kusanku opening movrments.
One from
Motobu Ryu, one from Sherman Harrill.
Ryukyu Kings secret headquarters flow Palace martial arts introduction to Headquarters Palace hand, headquarters
martial arts book – 2015
Hhere
is AJA showing one of the Shimabuku kumite, and IMO, for all intent and
Purposes this is just a different way to use the Kusanku kata opening/
Shimabuku Tatsuo no Kumite (島袋龍夫の組手)
7.
a. Full nelson, karate cut groin
b. Full nelson, grab leg, heel kick
c. Full nelson, grab one leg, karate cut groin
d. Back neck breaker and choke hold, grab groin
Full nelson escape
Charles,
Anothere interesting thing is that AJA has been posting a lot of
videos on YouTube,
You should check this out, almost new videos daily..
Such as Wansu
kata Isshin-ryū Karate performed by Fukuhara Kensei
https://www.youtube.com/watch?v=THps8C8VlU8
or Naihanchi
kata, Isshin-ryū Karate 2002
https://www.youtube.com/watch?v=NY5bWDeOCu4
Isshin-ryū
Kobudō Hamahiga nu tuifa performed by Arcenio Advincula
https://www.youtube.com/watch?v=6m92YzbDwDY
or
Seiunchin kata by AJA
https://www.youtube.com/watch?v=K6WWiQxOq80
the
site is at
https://www.youtube.com/channel/UCYUD8aZDgIviuIEaXa-Ishw
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