I
was a new black belt in Isshinryu which of course meant really I knew very
little. No longer with an instructor available near where I lived I began to
attend karate tournaments across Pennslyvania to grow stronger from the
competition, and perhaps learn something , too.
But
on my own and a shodan I was really at the bottom of the barrel. I was
competing in forms and weapons with some of the most gifted in the country.
They were literally light years beyond where I was. But time after time I contested against them,
in fact they were the focus of my attempt to improve.
One
day I was doing my empty hand form. Most of my scores were the average for the
division. But one of them was significantly lower. It was a judge named Ron Martin who had awarded me a score
of 3.
I
really did not know any of the senior judges in Pennsylvania at that time
personally.
But
I felt this could be a chance to find out what he found so weak in my
performance.
I
knew scores rarely reflected commentary on individual form performance. Most of
the time they were focused more on determining the strongest performers, and
the other scores fell in on the middle just to place the rest there.
So
receiving a 3 must have meant something.
I
approached Martin Sensei, and queried him what my performance was lacking. He
responded politely about his admiration for many in Isshinryu however realizing I had made a serious inquiry he made
a serious response.
He
flat out told me my stances sucked.
It
was not easy to hear, harder to understand but that provided the spark to begin
to understand.
Beginning
at the next tournament I competed at, I began to note how the stances of the
best competitors ( regardless of system) did not suck in fact they were very
strong. And as so many were incredible technicians that became a constant to
consider. Then I went the next mile. I began closely watching the students of Ron Martin and they all had incredibly
strong stances. On that I was not surprised.
I
began to understand the point Ron
had made to me.
Then
on a trip back to my original dojo of Tom
Lewis, I paid particular attention to Tom when he would perform. He had
incredibly strong stances. I was sold on the idea.
So
I got to work, focusing on my stances in kata and kobudo, in fact in every
aspect of my karate, And as I was self training myself, it was a great amount
of work.
As
time passed I did not become a great champion, my tournament scores remained in
the middle of the pack, but I did make progress with my stances.
A
year later Charlie Murray had returned to Scranton for a visit with his wife’s
family. Of course that meant he had about ½ to spend with me. When he watched
me perform kata his comment was “Vic, how strong your stance work has become.”
I
realized then I was on my way.
As
the years passed and I was spending more and more time with my students. Stance
work was a critical part of my students studies. I was constantly exhorting them for stronger
stances. In fact that was something I would always insist.
Now
on a separate track, in my t’ai chi studies and my Chinese forms studies with
Ernest Rothrock, strong stances were always a part of those studies. Likewise
the many I was training alongside in their dojo had similar focus for their
students. None of them were focused on
Isshinryu, but all of them made me realize the value to training.
Along
the way Ron and I became close
friends.
Then
the day came in 2012 when I would last compete and again Ron would be one of the judges. I was soon to undergo cancer
surgery (which would be successful) only later to develop other disabilities.
To fight forward, I decided to work on a form outside of Isshinryu in order to
force myself to try something new. This
was not something I taught just a personal challenge.
The
form, Tomari Rohai, was one a friend had long ago shared detailed Japanese
documentation on. It would be a challenge to learn and try to compete with. That
is what I wanted. I did make some slight modifications to take into account age
and capability.
Now
I hadn’t competed in decades,
competition was no longer my interest. But this day I was on a different
mission. No friends in attendance for I was just competing against myself, just
to do it.
I
remember waiting that long day, attempting to remain ready.
Then
the division was called and I was to compete in the middle of the division so
more waiting.
I
was called and then I stepped on the floor and I did my form that day. I
completed it successfully.
Done,
the only thing I really knew that day before Ron, who had judged me 40 years before, was I was sure my stance did not suck.
2 comments:
It was 1980, I had been a black belt for just over a year. I did not had an instructor, so I was working out how to train myself. I had begun teaching a youth karate program at the Scranton Boys Club and to push myself began competing at the local Penna. Tournaments. While I had begun making friends with other competitors no one really knew who I was, and in the division I competed in there were many Penna. Reginal and National champions that I would have to compete against. I knew I was no threat to them but I also knew I needed to push myself to improve and the 30 or so tournaments I competed in a year back then was the only chance to really improve my focus.
Then one day at a tournament in Easton Pa I did my kata and one of the judges made me ask him how I could improve. I knew he was internationally experienced.
I never trained with him, but what he said made me open my eyes and changed the direction of my art forever.
Ry the way Ron Martin was one of my judges that day, after so many decades.
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