Mízōngyì (Chinese:
迷蹤藝; literally: 'Lost
Track Skill'), or simply Mízōng, is a style of Chinese martial art
based on deception and mobility. Mizong is also known as Mízōngquán (Chinese:
迷蹤拳; literally: 'Lost
Track Fist' or sometimes "Labyrinthine Boxing" stressing the
deceptive nature of the art) and Yànqīngquán (Chinese:
燕青拳; literally: 'Blue
Swallow Fist'). There are many sub-branches of this style.
Mizong Lohan (Chinese: 迷蹤羅漢; pinyin: mízōng
luóhàn; literally: 'Lost Track Arhat') is a combination of two styles: Mízōngquán and Luóhànquán.
Through Luóhànquán, its lineage can be traced back to the Shaolin
temple during the time of the Tang Dynasty (618–907).
As an external northern
Chinese style, Mizong belongs to the "Long Fist" family of martial arts although
in some traditions Mizong is considered an internal art, created by Yue Fei, and
taught as a precursor system to Hsing I Ch'uan. Mizongquan was created by Cheng
Juxiao. Cheng learned from his maternal grandfather and mother; of which both
were also practitioners of Mizongyi.[1]
The art began to grow popular since 1901 due to the deeds
of Huo
Yuanjia, a Mizongyi master.[2] Huo
Yuanjia's father, Huo Endi is a 6th-generation successor of Mizongyi.[3]
Mi Zong Luo Han is an external style, with distinct
internal influences. It draws on many aspects of the external Northern Shaolin long-fist style,
and the internal styles T'ai chi ch'uan and Baguazhang,
which are often taught alongside it in modern times. It is characterized by
deceptive hand movements, intricate footwork, varied kicks, and high leaps. The
style changes very quickly when executed.
The emphasis on flexibility in Northern Shaolin Kung Fu styles is
the guiding principle of Mi Zong, and this is evident in the versatility of its
attacks and the extent to which it integrates core concepts of multiple
internal styles. An increased emphasis on mobility often comes at the cost of
power, but Mi Zong kungfu compensates for this by providing a way for a dynamic
generation of power. Mi Zong's unique Fa Jing, discharging explosive power like
lightning strikes, comes from the combination of the internal corkscrew power
of Hsing I, Chen-style Tai Chi and the external snapping power of Shaolin Long
Fist. The result is an efficient production of power through a dynamic motion
of multiple elements of the body, the mastery of which gives a Mi Zong's
practitioner the capability of generating quick and flexible force from any
distance. In short, F=ma and a= the acceleration of Mizong's fists and kicks is
high at the moment of impact which gives rise to strong force and hence high
power.
Mizong Luohan's system was presided over by Grandmaster
Ye Yu Ting in the twentieth century until his death in 1962, at the age of 70.
A number of his students such as Masters Chi-Hung Marr, Raymond K. Wong, and
Johnny Lee emigrated to North America in the 1960s and have continued to teach
this system in various locations around the United States of America, from Los
Angeles, Dallas Texas, Coppell Texas, to Hawai`i, and Canada.[4]
Mizong Chuan has also been continued to be taught as a
foundation art to Hsing I/Xing Yi within the Yue Jia Ba Shao/Geng Jishan
tradition in London, England. Within this tradition, Mizong was primarily
taught to children as, from a learning perspective, the technical, internal
aspects of the art are less sophisticated (i.e., more external) than in Hsing
I.
Mizong
Quan https://www.youtube.com/watch?v=2bCBSYLvnk4
Mizong
quan (yan qing quan) jin ji dou 1961 https://www.youtube.com/watch?v=E1ZX7UMYoYQ
Mizong
Quan Tan Tuei (Lost Track Springing Leg) https://www.youtube.com/watch?v=gq3SLaAwUBA
Mizong-quan
Disc 1 of 2, part 1 of 4 https://www.youtube.com/watch?v=Yr4WVxYqeZc
Mizong-quan,
Disc 1 of 2, Part 2 of 4 https://www.youtube.com/watch?v=z0vbvjnTx1U
Mizong-quan,
Disc 1 of 2, Part 3 of 4 https://www.youtube.com/watch?v=KlzGzp9uQdY
少林迷踪拳Shaolin Mizong
Quan https://www.youtube.com/watch?v=GaORDveZJ78
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