Of course today,
anyone should be able to pursue anything they want to pursue. When anyone
expressed the interest in studying a specific art, I would try my best to
direct them to what they desired. Not that my students ever had that need.
But when you
look at the concept behind cross-training, there are interesting things to
consider.
If you mean
acquiring skilled training in another art, besides the one you are pursuing,
that is not an easy thing to do. Your new art really is not someplace to
continue training in your prior art. That would have to be done on your own
time, not theirs.
And what do you
consider cross-training? Putting in some time to gather a few techniques is not
really spending decades with a qualified instructor under constant guidance to
acquire that art. That does make a difference for receiving a few techniques
does not constitute being trained in an art in my book..
When I was a new
black belt I was without any guidance in my area.
I took up
friends offers at tournaments to visit and occasionally train with them. The
reality was I was only looking for a place to find someone to spar with. As it
turned out at none of those places I trained, did they ever have sparring while
I was there.
I did take the
advantage to work out with other martial artists, but my intention was never to
try and learn their art. I was pleased that I had my own art to work on, but
anything I saw I learned to remember, often taking notes on what was shown. So
I did acquire something, but nothing like their art either.
I did
specifically pursue one art. In college on my studies of Taoism I learned about
Tai Chi Chaun a bit. I was interested and when the chance arose I asked Ernest
Rothrock to be allowed to study it with him. He agreed and in the course of 2
years of ½ a week lessons I acquired the form, and a bit more. Then over the
subsequent decades he provided some further guidance. I really am not a trained
student of his, just a bit trained. And I did learn a lot in that process.
Almost at the
same time, I did have a lot of free time.. between training, teaching, visiting
others and the tai chi, that took much of that free time. But one person I met
on the tournament floor was Tristan Sutrisno. I took advantage of his offer to
visit. I saw so much complete different from what I knew, and in his way he
tried to test me, discovering I remembered much of what I was shown.
I learned many
things. Knowing someone from a tournament, watching them compete, watching them
judge, observing their students, meant you knew nothing really about their
art. At that time he enjoyed my learning
a bit of his system.
A little later I
approached Ernest with a different request. I did not want to be a student of
his arts, I respected what that would mean too much. But I realized I often had
to judge Chinese stylists at tournaments, and realized that I really did not
know what I was judging.
I asked him if
it would be possible to learn some Chinese forms so I might become a more
informed judge. Now he had been training me for 9 months at that time. I think
he thought it would be interesting to see what a karate guy could actually
learn.
His studies had
covered many arts, and he know a Herculean number of forms. He elected to teach
me advanced forms from systems his students were not studying. Perhaps as an
experiment. In any case I learned a few forms (around 20 or so).
None of this
made me a qualified student of these instructors. They all knew where I was
trying to train. They shoved and shoved more into me.
Then the time
came when I had to move, again I was on my own. Working hard to work on what
others had shared with me. But now my other responsibilities grew. Personally I
had to make very hard choices what to retain, and I did.
My youth program
grew and now I had a small adult program, I elected to add some of those
studies I found valuable as subsidiary studies for my students. Of course I
could only share what I understood, and more that a little of flavor of
Isshinryu attached to them.
I have too much
respect for those who shared with me to ever consider myself trained in their
at. And most of them have been able to share with my students too, to let them
see from where those drills or kata came from. Their sharing has most definitely
shaped my art. And I was proud that I was able to share some of that training
with my students.
Of course this
was way before I ever heard of cross training.
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