I
continually find how interesting that so much that has been written is never
discussed on the nets in today’s ‘enlightened’ world. Rereading “Motobu Choiki
My Art” is just one example. Consider
how Kyan Chotoku described teaching karate on one Okinawan school, and then
contrast that with modern karate practice. This is geared more towards beginner
and beginning instruction. Clearly not so much what more advanced training
would become.
From
‘Karate Training & What to Know
About Fighting” by Kyan Chotoku for the Okinawa-Prefectural School of
Agriculture and Forestry. Translated into English by Patrick and Yuriko
McCarthy (2001-2002)
From
“Motobu Choiki
Karate My Art” by Patrick and Yuriko McCarthy
What
to Know About Training
a. It
is important to explain what karate is and what karate is not.
b. Then,
what one should know about physical practice should follow this.
i.
Posturing,
ii.
Forward
and backward foot movement should then come next/
iii.
Gradually
evasiveness can be introduced.
iv.
Teaching
how to use the clenched fists,
v.
Striking
with the elbows,
vii.
Along
with deflection, trapping and blocking, follow this.
c. When
these points are learned satisfactory, kata can then be taught.
d. When
one is proficient at kata sparring can be introduced.
2.
In
the past, sparring was often dangerous because there was no protective
equipment used. Because of this, it has,
therefore, become necessary to wear protection in key parts, of the body, like
they do in bayonet training (Juken-jutsu). Using this kind of protection and
rubber hand pads on the clenched first will help reduce potential injury
associated with the practice
3.
Except
for what I already mentioned above, and the use of a makiwra, there ‘s really
no other special training equipment required to learn/teach karate. More ever,
training partners and spacious facilities are not required, either. These are
some of the advantages of learning/teaching karate.
For one thing the beginner faced far
more training in karate technique prior to the commencement of kata training.
And I would suspect those beginning studies were at greater depth into the art
than what we would do today.
It is something to think about.
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