I don't know why
soooooo many martial art instructors don't understand that throwing a bunch of
techniques against a student who is frozen in a stationary position like a
robot isn't impressive. It is even worse when the instructor uses extremely
excessive contact causing an injury to a stationary student. Hard training,
body conditioning, controlled contact, etc is part of training. Being excessive
and abusive to a student that trust you is simply wrong. Students that have had
their shoulders dislocated, arm or wrist broken, nose broken, lips busted, by
an instructor demonstrating on them as a sacrificial lamb, may want to
re-evaluate who they are training with. Accidents and injuries occur in
training, especially during hard fighting, but they shouldn't occur while you
are serving as an uke to your teacher. IMO, a student should be the safest when
training with their teacher.
At a seminar in
LA years ago, a visiting 7th Dan from Japan called me out to be his Uke. I was
simply to step forward, punch Chudan and freeze. The first count he hit me in
the nose causing my nose to bleed. The next count he cut me above my eye. The
third count he busted both of my lips, so I threw a second technique, a hard
left hook to his jaw and dropped him. He tried to quickly bounce up but fell
forward. I was escorted out of the seminar. Point of the story, no matter what
someone's rank is, don't allow someone to physically abuse you.
Kayo Ong Steve, a good
one!!!
I can tell you many stories of the same stupid things that overseas instructors
do to show "their" techniques (or their insecurities)...
Back in the late 1960s, one of them was a big name whose name I will withhold,
pull a stunt like the one you mentioned, unfortunately for him, he got struck
back in the same manner and he never came back to the USA!!! To me, I had
always considered him a phony clown... You would laugh at his name and a few
other names!!!
Anyways, why they strike a uke during a demo I can never understand; but firing
back the same way upon them, they always find it discourteous and
disrespectful, so buck them!!!
Remember when you worked with me at Colorado Springs me several decades ago
when I ask you to strike me in real-time and you thought I was out of line (and
out of my mind)? And I asked not to stand like a statue but to respond to my
techniques that were applied to you? That is how exchanges of teaching should
be...
The truth and reality are if you or anyone (as uke) can hit me, then I should
not be the instructor that I claim to be!!!
I was taught that every instructor should be able to articulate and use every
technique learnt in real-time and not rely on the (imposed) static posture...
In my fifty years of teaching, I never struck or abuse my students or anyone!!!
NEVER!!! And if was to strike their body (exclude the face or groin), I tell
them to brace/lock-up to experience and learn the impact values of the
techniques...
Steve Wilson Yes, and you
put your energy into the student, check the student and their condition, and
try to teach feeling their body and technique. Abuse isn't necessary. You may
recall that I would hold my Zenkutsu, Shiko, Neko, etc while you talked and you
would always tell me to just relax while listening.
Personally, I think the instructors who clock their uke are just egomaniacs.
I'm not trying to be racist or disrespectful at all, but these types of actions
used to be common with Japanese karate teachers. Due to their culture, they also
promulgated the magical, mystical, master syndrome. Most were arrogant and
hypocrites. They claim to teach budo, but had no humility, were womanizers,
drunks, smokers, etc. Complete farce. A famous TRUE Okinawan karate master who
is still alive, actually admitted that he had to re-evaluate his karate because
when huge strong foreigners arrived he and his top students couldn't overcome
the size difference in kumite. So he re-evaluated, trained differently,
adjusted, and was able to defeat the huge foreign students although he is only
5'1 ". That's a "real" karate-ka, humble, honest, and dedicated.
He made me want to train Shorin:)
Steve Krowitz I make it a practice to avoid those type of so
called teachers.
Victor
I understand
what you are describing. Many times I have viewed such demonstrations, and
several times I have been on the receiving end. There are distinctions that should be considered.
When
my studies with one multi discipline instructor (Shotokan/Aikido/Tjumande) in
the aikido training we found pain was always a component (not during learning
or practice but at a high level of execution which he often demonstrated) Of
course he was not striking a stationary pose but entering a hard, focused
strike. He explained the pain or a momentary fear of impending pain was what
made the technique work. The Pain causing their body to thown themselves away
from the technique. Of course that is a very different circumstance.
From
my study of kata application analysis, there were times I did not realize what
would happen moving into a focused attack, and suddenly out of my control, the
movement when applied put the person on the ground, most suddenly. I remember
one time I was working on a tai chi technique which I had never applied before,
a very ‘soft’ movement. But when faced with an attack,even moving very slow, my
partner ended up on the ground which was not my intention. So I tried it again,
even slower and softer and the result was the same.
A
simple movement from Isshinryu Wansu ko’d my parther, not by intention, I was
just suggesting a possibility. A potential application from Chinto likewise
dumped my parther, again when I went slowe. Or applying a movement from
Isshinryu Seiunchin against a moving attack, I struck them so suddenly without
that being my intention.
In all
those cases my purpose was to attempt to understand the application potential
of the movement. It always made me work to understand what was happening which
eventually I did.
Teaching
such was another matter.
First
a relatively stationary attack was useful to explain what was to happen. Then
the speed picked up to a moderate attack for practice, with safeguards to not
have my students injure each other.
Then
you enter the next phase to my way of thinking. As you have shown, taught the
Application potential analysis, the harder part of the study begins, the
Application Realization. Getting to the point you can actually insert the
technique in a whole range of attacks and make it work. A different dimension
of study.
Most
of this is not where my focus was with kyu’s where building power, technique,
balance etc. was more important.
This
is simpler for me to say perhaps as I don’t belong to any association of any
sort, except with my original instructor.
But as
I see it whenever an instructor uses full force against a stationary target,
causing damage. That is someone I would not trust, no matter what they know.
Intentional damage of anyone for teaching or demonstration simply means they
are not trained to a standard I recognize.
Steve Wilson Hi Victor: I
say that a technique or application that quits hurting when it is over is
acceptable and part of training. There is a difference between temporary pain
and prolonged pain or injury. I always teach my students that we all need to be
able to train tomorrow too:)
1 comment:
The common denominator I have found training with different instructors, who also were extremely effective using the techniques of their arts (some did represent a variety of different arts). There was a common factor. The way they used pain with their senior students instruction.
No they did not damage those individuals, it was not that kind of pain. But they used students who elected to train to severe levers attacking their instructor, and receiving much of the power of the defense being shown, unto pain itself.
What I discovered (often with pain myself) was those students in turn each became great instructors, because they ‘knew’ where to adjust your own efforts till they could feel that correct pain. And of course they also learned well how to do the same they were feeling. True skill.
Now I was never that skilled, Not that things were not openly shared with me, but those instructors knew my limitations, not being deeply trained in their arts, and chose not to often share that pain with me. So I did not get ‘it’ the same way.
And much being a youth instructor, I did not go to that level with the kids. Though there were times, that the movements we were studying did have an effect on the adults.
An interesting thing about Pain. Our body does not remember Pain, we remember we were I pain, but not the pain itself. Once experienced it goes away (in its own time)
Aikido for one was explained to me this way. You don’t move the person, (an art of locks and projections for the most part, which of course is an over-simplification) Rather it is pain that moves the uke into desired co\nmsequences. Intense pain feeling invoking reaction, or the feeling of anticipated pain causing the desired reaction.
Another way of looking at applications.
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