Once again my mind wakens
I remain of the
opinion Kata (any of them) really become an infinite study of different ways on
how any of the movements (or their fractals thereof) can be inserted into an
attack to conclude that attack.
The purpose of
that study is not to learn more and more applications but to more firmly belive
in the underlying principles of those applications to get to the time when you
can apply any movement into any attack and make it work. That requires never
ending study of the application potential and of course the greater study of
the application realization.
I have found too
often the brain becomes lazy. When you were originally told the application was
XYZ the brain stalls there and decades later you find the application potential
is also ABC. However it was easier to stop at XYZ and you accept that is the answer. Suddenly
you find from a new source a whole range of superior applications, really
really good ones, and your brain stops there. And whole ranges of other answers
are never considered.
Today I ran 3
kata, or at least what I call 3 kata
today, Seiunchin, Nihanchi and Seisan. They are not much to look at but even
with my more limited potential by running them I recall with clarity what they
ought be. That is important to me, for what you don’t do, you lose unto
becoming vaporwear. Something to easy to descend to these days.
But performing
my Seisan kata, an entirely new range of applications for the 2nd
row came to me. What I already had were sufficient, including a range of
superior ones from Sherman Harrill or his students Garry Gerossie or John
Kerker.
Of course once I
understood them my mind shut down. Today I realized an entire range of new
possibilities.
I am just going
to focus on the opening of the potential. After using it you can see the entire
range of possible answers that become available. Everything in you training
provides many possibilities.
Now in the kata
you have just turned and executed two open hand shuto down blocks.
The next
movement you cross your hands, then cutting down with one descending shuto, as
the other hand moves up. That movement where you cross your hands is where I
see a new possibility.
The way I learnt
this section as the side where the foot steps forward, both hands rise as the
front foot outside hand performs a bent
wrist side block. As that begins to form
the other hand rises to cross wrists and then begin a descending shuto strike.
That momentary section where the hands intersect is where I see an option to
exploit in a different way. (Unfortunately all of my films show this being done
from the rear.)
Against a right
grab or strike:
1.
Block
inward with your left forearm (using the ‘<” created by the formation of the
cross block). This begins the potential I never explored.
2.
Complete
the cross block ‘X’ by flowing your left hand over their arm and your blocking
right inside forearm.
3.
Then
your right hand flows down with the descending shuto strike (or a parrying
block) moving their attacking arm down and away.
4.
This
is where you choose the options for you right palm strike to conclude the
movement.
Whether the
attacking arm is the left of the right arm of the attacker it works the same
way, just your follow up options depend on what you wish to accomplish.
Work to always
look for more possibilities.
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