Anaku (アナク) is a kata
derived from Ananku . It is translated as Expression Pivoting Form or Pivoting
Swallow Form. This kata is typically taught to Go Kyu (Green Belt Kata).[1]
Anaku is used to teach two principles: shifting from Kiba Dachi to Zenkutsu
Dachi to Kiba Dachi, and T'ung Gee Hsing's principle of pounding, which is
hitting the same spot multiple times.
Chotoku Kyan is credited with recomposing this kata for Karate in 1895.
Bunkai
* • Hsing-Yi's principle is used four times in the kata. The first time it is
two tate zukis (vertical punch). The second time it is used with two tate
zuki's, a mae geri, and another tate zuki. The name comes from Xingyiquan five
element principles, and T'ung Gee Hsing, a known practitioner of Xingyiquan who
taught Robert Trias some Xing Yi Quan
* There is a third principle that is no longer really taught, though it is used
in universal bunkai. The principle is called a Mae Choi Yaku, which is used
instead of stepping back, the uke jumps in place while punching with a vertical
punch.
* At the end of the kata, one can do a hidden spiritual movement called Shin
Shin Taisha. A Shin Shin Taisha or 'dead breath' is done by exhaling for
fifteen seconds straight. At the end of the Shin Shin Taisha the body should
vibrate from stored tension. This technique used since the body is hard during
the 7–13 second range and can take lots of damage (such as getting hit with
Bo's
I learned this at Carl Long’s dojo in Fourty Fort,
PA.
It came from his Shimabuku Ezio Shorin Ryu.
Originally it was done with both vertical and
twisting punches.
Perhaps Ezio taught that to his students as a
tribute of Tatsuo’s Isshinryu
And the
turning strikes to the Kyan tradition.
It seemed a reasonable choice for youth study as a
precursor to Seisan.
It also built skills that would help in Chinto
later.
I also liked the students learing advanced turning
in the form.
I made one change, I turned all of the striking
into vertical strikes,
Because that made more sense for the beginning
students in my program.
https://www.youtube.com/watch?v=4C_hRkiw_NU
On
filming kata. I never
intended to film the best versions of kata we practiced. Most of those I filmed
were for future reference, showing where the individual was at a point in time.
More for the average performance I expected at that level of training. For the
most part not a perfect performance, but a step I expected everyone to go
through and exceed. For I don't personally see perfect performances, rather
working for better and better performance for everyone.
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