Back in 1975 when I was a new Isshinry
student, one weekend we went to Red Lion, PA. to visit my parents. In near by
York they had a great bookstore and Paid it a visit. That was where I found a
new book on the martial arts. It was Shigeru Egami’s “ The Way of Karate Beyond
Technique” (later to be republished as “The Heart of
Karate-Do”)
I realized the book was about Shotokan, of a
sorts. As I read it I found Egami nad been a student of Funakoshi Ginchin. He
trained ferociously in how he was
trained for decades. Then when he took ill, so as to be unable to train for
years, he began to investigate how Funakoshi technique was beyond fhat of his
students. He took a trip to Okinawa and there found a fist more effective to
what he trained int.
After years of research
Egami in the 1950’s found an efficient
way of striking by executing the movement in a relaxed state of mind and body.
This is the basis of Shotokai. It focuses on suppleness and relaxation, as
opposed to tenseness that generates force. Elaborating this basic idea, he
suggested new forms of techniques and a new way of practicing.
At that time I had some
knowledge of Shotokan, yet at the same time I was starting my study of
Isshinryu I did not know there were differences between Okinawan karate and its
Japanese derivations of which Shotokan was one.
I found the book very
interesting, but it had nothing to do with the Isshinryu I was studying. It
became a book that I read and put away.
Years later re-reading
that book I found his development of the
Middle knuckle strike over the Shotokan flat fist interesting. Of course he
went much deeper into fist striking too.
Now finding my original copy
on my bookstand, reading it again, I am struck that the process Egami went
through developing his Shotlkai was very similar to the process I wean through
to strengthen my own Ishinryu Studies.
Of course there are
differences, I was never trying to strengthen my Shotokan. Instead of the pain caused when striking with
the middle knuckle fist, I found similar power from striking with Sherman
Harrill’s ridge of knuckles in the Isshinryu fist. Then again I worked out the
necessity for more flow in movement, my own use of the crescent stance in power
development and other developments.
What I found most intesting
was the journey Egami made and see it reflected (abet differently) in my own journey.
I have been unable to find
if his group, the Shoto-kai, exists today.
The following photographs
show some of the use of the single point
fist he developed in the Shoto-kai.
Maître
Shigeru Egami (Shotokai) - Stage au Japon
https://www.youtube.com/watch?v=tf0jGNjX5bk
https://www.youtube.com/watch?v=ad6bdqsFG5M&t=70s
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